Word: interplays
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Dates: during 1960-1969
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...Gaulle. In huge type, the paper printed this excerpt: "Few leaders of the modern world think so broadly as you, Mr. President. Few have so well understood the great historical sweeps of the past. Few have thought so clearly about the future. Few have so considered the interplay of forces that shape events, the motivations of men and nations." It was an extraordinary paean to the Frenchman who has so stubbornly obstructed every European and American effort toward political, economic and military solidarity-and one that might have caused deep offense to many of the other statesmen to whom Nixon...
...even his own words, and still less those of his cataloguers who speak of "interplay of space and void" are inadequate when they come to his work. They cannot delineate a method of work, or describe the shape of a from...
...Living Theatre. Staged on a huge jungle-jim with several long rectangular platforms, Frankenstein offers a multitude of technical challenges, most of which the company rises to in splendid style. Not that they are ever in complete harmony with their set, or it with them, but the interplay beween the two is worth following throughout. And a few effects, like the monster silhouette constructed out of better than a dozen individual bodies, really smother...
What TIME strives for is not objectivity but fairness. We know that the truth is based on an interplay between fact and opinion, and that the two are inextricable. We always try to see to it that our facts are selected through balanced judgment, that our judgments are supported by reliable facts: to this we bend all the efforts of our reporters and researchers, writers and editors. It is a fallible process; but it is open, and always subject to inspection, correction and improvement. We think it is the best process available not only for describing events but for making...
Following a short intermission, all six musicians reappeared on the stage, divested of jackets and ties. Their new-found comfort and relief was reflected in a superb performance of Shubert's Cello Quintet. The piece requires a back and forth interplay of plucking between the violin and cello. This was done in such a way as to give the listener the impression of a teasing, question and answer conversation between the two instruments. Not once did the piece move slowly or the sound lose its rich quality. In the Allegretto especially, the opening theme was brought back with force...