Search Details

Word: interplays (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...Interplay. The money alone that goes into commercial production is stupefying. Film Director Stanley Kubrick, himself something of a big spender (2001: A Space Odyssey cost $11 million), observed recently that "a feature film made with the same kind of care as a commercial would have to cost $50 million." As it is, the cost of a one-minute commercial rehearsals, filming, reshooting, dubbing, scoring, animation, printing runs to an average of $22,000 or about five times more than a minute of TV entertainment...

Author: /time Magazine | Title: Television: . . . And Now a Word about Commercials | 7/12/1968 | See Source »

...true innovators in film it is they who pack a succinct story into a few seconds and in the process produce many new cinematic ideas. The work of such directors as Michael Cimino for Kodak, Howard Zieff for Benson & Hedges and Mike Elliott for Rheingold, has precipitated an interplay of ideas that flows freely between Madison Avenue and the conventional movie set. The directors dabble with Fellini-like stream-of-consciousness techniques. Hollywood copies TV's fast cuts and odd-angle perspectives. The quality of Richard Lester's movies A Hard Day's Night, Petulia reflects his experience as director...

Author: /time Magazine | Title: Television: . . . And Now a Word about Commercials | 7/12/1968 | See Source »

Reflectively, Carl Frederick Reuterswärd has polished a bronze tablet, and with an imitation of Rembrandt's signature on it, spelled out "Remembrandt." As the viewer gazes at it, his reflection becomes a part of the picture, suggesting that all art is based on the interplay between reality and the memory of how artists in ages past have dealt with the problem...

Author: /time Magazine | Title: Exhibitions: A Hint, a Shadow, a Clue | 6/14/1968 | See Source »

...atonality to music. His work is total abstraction, es chewing the cliches and conventions of gesture, costume and music by which both ballet and modern dance seek to evoke moods, emotions and dramatic climaxes. Whatever emotions Cunningham's audiences feel are entirely in dividual. The same movement or interplay of bodies might engender fear in one person and laughter in another-and that is the way it is meant...

Author: /time Magazine | Title: The Dance: Having a Ball in Brooklyn | 5/24/1968 | See Source »

...students to latch on to a certain philosophy and use it as their panacea. Too often this philosophy becomes dogma, blinds its proponents to other viewpoints, and leads them to the all or nothing stage. It is then that the intellectual process breaks down, and a meaningful and productive interplay of ideas, which is so desperately needed now, ceases. I can only hope that both students and administrators will never be afraid to open themselves continually to self-doubt and self-questioning-to break the gel that means stagnation and, ultimately, failure...

Author: /time Magazine | Title: Letters: May 17, 1968 | 5/17/1968 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | Next