Word: interpolates
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Dates: during 2000-2009
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...Interpol...
With their second full-length album Antics, Interpol beat the sophomore jinx and begin to lay down roots as an indie institution. The New York quartet builds on the success of its debut, Turn on the Bright Lights, expanding musically while remaining faithful to the viscous, subversive recipe that won them critical acclaim in the first place. The new record finds the young band charged with composure and confidence, equipped with a welcome infusion of melodic complexity...
...Interpol recorded the new LP in an attic, a fact reflected in the claustrophobic underpinnings of each song. The murky, atmospheric production of their first album has been revived here, but the sound is warmer, and the band is more self-assured. The rhythm section has solidified, tighter and bolder now after long months playing together on tour. Drummer Sam Fogarino and bassist Carlos D lock into a groove right away and stretch it out easily for the course of a song. The often danceable bass lines add satisfying counterpoint to the darker, choppier guitar licks layered on top. Guitarists...
...song “Narc” demonstrates the effectiveness of this layering technique: Beginning only with an angular guitar line, the song jumps to life with the sudden arrival of a surging bass line and steady backbeat. Interpol has a new swagger, is more direct and present. Banks’ familiar drone, tired but on pitch, remains an ideal complement for the shadowy sound his band churns out. The vocal melodies are catchy and diverse. The final product is more organic and less distant than the debut...
...this second release, the litmus test for staying power in the record industry, has no doubt weighed heavily on the band members, whose debut inspired such acute hyperventilation among indie rags. Fortunately, neither the watchful eyes of hipster nation nor the inflated anticipation for their follow-up have knocked Interpol off course. Unintimidated, the band appears to reassert its artistic and commercial ambitions bluntly in the album’s very first line: “We ain’t going to the town/We’re going to the city.” Antics finds the four...