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...attacks indifference, loneliness and unhappiness the way a windmill attacks the air, stirring up little tempests with whirring music and sharp imagery. Juxtaposing sweet, lyrical melodies with the words of protest and defiance, he speaks of "illness, war, the young ones, myself." A quartet of empathetic American performers interpret Brel in English with inventive arrangements and passionate delivery. The hopeful Bachelor's Dance (La Bourrée du Célibataire), the chagrined Jackie ("If I could be for just one little hour cute, cute, cute in a stupid-assed way"), the infuriated Funeral Tango, all deal with material...

Author: /time Magazine | Title: Television: Sep. 6, 1968 | 9/6/1968 | See Source »

...BELIEVERS: THE BLACK EXPERIENCE IN SONG (RCA Victor). Sketching the path of the people brought from Africa to America, 13 full-voiced performers of this off-Broadway production lovingly interpret the music that expresses their history. The thunder drums of Ladji Camara provide a lightning introduction to the African chapter. The misery of the slave ships, the dreariness of the plantations, the vitality of the small churches, and the frustrations of city streets are caught in laments, work songs and field hollers, shouting gospels and spirituals, blues and jazz. While the arrangements can be faulted for lack of subtlety...

Author: /time Magazine | Title: Television: Sep. 6, 1968 | 9/6/1968 | See Source »

...Court will consolidate the two highest tribunals, which handle criminal and civil cases (Court of Cassation) and administrative cases (Council of State). A joint session of the National Assembly will elect the court's 15 judges to six-year terms. Their extensive powers will include the right to interpret the constitution, decide on the dissolution of political parties opposed to the republican form of government, and review all laws, decrees and administrative decisions. Most important, the Supreme Court will appoint all lower-court judges; the positions will no longer be political plums to be awarded by executive whim. Plans...

Author: /time Magazine | Title: Foreign Law: Reform in Viet Nam | 9/6/1968 | See Source »

...elusive, placing some enemy manpower far out side immediate fighting range; this could be in anticipation of an extended lull, or it could be simply for safe refitting and regrouping. In fact, the evidence is ambiguous, and as with Hanoi's unenlightening silence, the Administration has chosen to interpret it pessimistically. If there is more fighting, both sides will try to use it to improve their bargaining positions in the peace that must eventually come...

Author: /time Magazine | Title: World: CZECHOSLOVAKIA AND VIET NAM | 8/9/1968 | See Source »

...understandable, are nonetheless private acts in which we cannot share. Flashback sequences, so purgative and cathartic in Hitchcock, are coldly detached in The Bride Wore Black, existing in a no-man's-land between Julie and the audience; the slow motion sequence is stylistically justifiable only if we interpret Coutard's contemplative panning as emerging from a half-memory of Julie's too personal for us to experience. The last shot of the film also deprives us of the vision we are accustomed to: Julie's final killing is very much her own, and though we will make...

Author: By Tim Hunter, | Title: The Bride Wore Black | 7/30/1968 | See Source »

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