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...Academy had particularly restricted thesubject matter and technique of historicalpaintings, forcing painters to depict solelyclassical and mythological subjects in anidealized style. The works of the 1860's,therefore, are strikingly novel in comparison.Nikolai Ge's "The Last Supper" (1866) reflectsthis change--the traditional scene is interpretedwith a remarkable new emphasis on thepsychological states of the figures, and Christ isportrayed with originality and expression...

Author: By Maurie Samuels, | Title: From Russia With Love | 4/23/1987 | See Source »

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