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Edlestein has also developed a highly original cutting style: in most of the important sequences, he tends to cut between shots which are related in sense and overall composition, but which do not develop directly out of each other with conventional, fluid continuity. He will frequently interrupt a functional cut with a brief emblematic or detail (memorable among such cuts is a phone conversation in which images of the two speakers are interspersed with rapid pans along fence-like telephone wires) and this liberated cutting style allows him to use disparate materials--still photographs, newspaper headlines, etc.--with ease...

Author: By Peter Jaszi, | Title: Sally's Hounds | 12/13/1967 | See Source »

...fathers insist that they do not influence the sons. "When Terry first started writing," says Red Smith, "I used to interrupt him and ask why he used one word when he meant another. Later, it occurred to me that it might bother him. So I stopped." James Reston pondered the fact that his son might be "cast into the old man's shadow. It's a psychological problem. No proud kid wants to go and hear: 'You're Scotty Reston's son.' " But the kids don't seem to be intimidated by their...

Author: /time Magazine | Title: Reporters: Beating Dad Can Be Fun | 10/13/1967 | See Source »

...failure to pay a libel judgment to a Harlem widow. Although the faithful overwhelmingly endorsed him yet again in a special election last April to fill the House seat vacated by his exclusion, Powell remained ensconced on Bimini with his former secretary Corinne Huff. Two weeks ago, he did interrupt his endless summer long enough to spirit himself into Washington for an hour's testimony before a federal grand jury looking into his possible misdeeds...

Author: /time Magazine | Title: New York: Adam's Vacuum | 9/29/1967 | See Source »

...violence for twelve hours; only when it became obvious that the situation was out of control did the news go out. Reporters went out of their way to interview bewildered, law-abiding Negroes whose homes and property had been destroyed. The three TV stations in Cincinnati agreed not to interrupt regular programs with alarmist bulletins. "We did not put on television anything which we felt would inflame an incident," says Sam Johnston, general manager of WKRC-TV. "We gave no vocal platform to any of the agitators...

Author: /time Magazine | Title: Broadcasting: Riot Coverage, Plus & Minus | 8/25/1967 | See Source »

...site picked for the Hirshhorn Museum is actually on a secondary axis laid out on the Mall 50 years ago, and Bunshaft emphasizes this by projecting across the Mall a 500-ft.-long reflecting pool surrounded by broad walkways for outdoor sculpture displays. But he had no desire to interrupt the two-mile vista that stretches from the Capitol past the Washington Monument to the Lincoln Memorial-a vista Bunshaft considers "one of the greatest in all architecture." Instead, he has sunk the pool and sculpture area 7 ft. below the Mall level. So vast are distances in official Washington...

Author: /time Magazine | Title: Architecture: New Faces for L'Enfant | 8/11/1967 | See Source »

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