Word: interrupts
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...Pope is walking in the garden below. Said John: "Why shouldn't they look? I'm not doing anything scandalous." He pronounced himself embarrassed at being addressed as "Holiness" or "Holy Father.'' and admitted that he could not get used to thinking of himself in the plural. "Don't interrupt me?I mean us!" he once joked. He even granted a papal audience to a traveling circus, and fondly patted a lion cub named Dolly. "You must behave here," ordered John. "We are used only to the calm lion of St. Mark...
...them over. But he finally tired of the game, grumbling, "I'm not a bear to perform in a circus." Wednesday mornings at 10, the Cabinet gathers around a table covered with red cloth. De Gaulle has before him a dossier on the subject under discussion and will interrupt a Cabinet minister to stress details he thinks are being overlooked. When he feels a speaker is talking too long or to no point, De Gaulle drums his fingers irritably on the table. When he has heard enough, he declares crisply, "Eh bien, messieurs, nous avons terminé." Barracks Vocabulary...
...pretty hands, was the muse for two murderers. Gabrielle lives with a gouty old husband and keeps a handsome young lover. One afternoon while tangoing (the year is 1913), he tells her he is betrothed to another-but, with true Gallic practicality, assures her that this need not interrupt their dalliance for a moment. Gabrielle, combining sang-froid with S. Freud, goes along with this, and together they plot to kill her husband. But the lover's pistol only clicks, and the husband shoots him instead. Gabrielle's duplicity soon turns into triplicity, and before the episode ends...
...made secrecy and suspicion the hallmark of U.S. Cuban dealings. Each step in the spiral of hostility has formed a template for its perpetuity. Now, with the introduction of nuclear weapons into the situation, all diplomatic forms and considerations are dropped, and Mr. Kennedy doesn't even try to interrupt the tragedy...
...Proust of C-for-Charlie Company's baptism of fire is not without virtues. His narrative of the company's action switches focus from soldier to soldier, skillfully managing to re-create a steadily developing, complex assault on a pair of Japanese-held hills. Without seeming to interrupt, it examines each individual's reactions to his own private world of pride and fear. But much of what Jones tells of the men-their need to prove their manhood, the revival meeting frenzy that carries them forward, the nearly insane numbness that battle finally brings them-has been...