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Originally taken down as stenographic notes at Pareto's lectures, The Mind and Society reveals its origin by its formlessness, by its expositions abandoned half-complete, its digressions that often interrupt its arguments. Occasionally it reveals a trained lecturer's wit, and frequent sardonic asides suggest the old professor addressing students who have not won his respect. No democrat, Pareto would not simplify his thought for the masses, felt that the secrets of history were harmful to most. In his will were rigid provisions that no popular exposition of his ideas should preface his books: "My sole interest...

Author: /time Magazine | Title: Books: Italian Thinker | 6/10/1935 | See Source »

...Sciences. His studies are principally history, sociology and economics. No pains are too great when he is investigating a subject. When he was studying improvements in the U. S. parliamentary system, he learned French in order to verify a translation from de Tocqueville. So that his constituents cannot interrupt his studies, he keeps his home address in Washington to himself, has a secret office in the old House Office Building with a door that cannot be opened from the outside...

Author: /time Magazine | Title: National Affairs: Bleeding Hearts | 4/29/1935 | See Source »

...story which these production numbers interrupt, more witty and ingenious than its predecessors, shows a pair of rascally theatrical entrepreneurs (Adolphe Menjou and Joe Cawthorn) engaged in fleecing a stingy dowager (Alice Brady) who hires them to produce a charity show on a shoestring. Dick Powell, Glenda Farrell, Frank McHugh, Hugh Herbert and Dorothy Dare appear in their usual capacities, help put the production on a grander scale than anything ever seen outside a Warner sound stage. Trick shot: an unidentified tap dancer's feet photographed from below, through a glass floor...

Author: /time Magazine | Title: The New Pictures: Mar. 25, 1935 | 3/25/1935 | See Source »

While in the play the tragedy of divorce and remarriage was seen only through the eyes of the son, the movie permits the parents to direct much of the action themselves. Since neither Edward Arnold nor Karen Morley are equipped to handle a problem play; they interrupt rather than aid the story...

Author: By A. A. B. jr., | Title: The Crimson Playgoer | 3/1/1935 | See Source »

Unlike Gardiner, who had an unparalleled ability to anticipate plays and great success with the dangerous maneuver of skating out of his position to interrupt them, Chabot almost never leaves his net. Slow at regaining his feet when he falls down, he indulges in few of the acrobatic tricks that make the work of smaller goalies more spectacular. These qualities give his style of play a peculiar indolence which he exaggerates as much as possible. Instead of chattering encouragement to his teammates, the method by which most goalies relieve their nervous tension, he munches slowly a huge wad of chewing...

Author: /time Magazine | Title: Sport: Hockey: Mid-Season | 2/11/1935 | See Source »

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