Word: interviewer
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Dates: during 1970-1979
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...assignment proved to be alluring. Raffety splashed on dozens of perfumes, smeared herself with lotions and creams and spread on a rainbow of lipsticks and eye shadows. To prepare for her first interview with the president of Revlon, she visited a midtown Manhattan skin-care salon and underwent a one-hour facial that included a massage, a seaweed mask and a herbal-tea steaming. She topped off the treatment with a professional makeup job. "A session like that one can change your whole feeling about the world," says Raffety...
...interview with Novak and in talks with two touring Japanese politicians, Teng demolished a number of Sinologists' preconceptions about the poster campaign. When the campaign began, it was widely believed that Teng was planning to replace Hua as Premier. Yet in a talk with Yoshikatsu Takeiri, head of Japan's Clean Government Party, the Vice Premier renounced any designs on that prestigious job. "I am too old and I wish to live longer," he explained. "A younger man is better for the job." (Hua is 57.) Similarly, al though few experts believe that the protesters would have denounced...
...least one newsman made news as well as reported it: visiting Washington Columnist Robert Novak. One evening while Novak and the Globe and Mail's Fraser were talking to a crowd near the posters, Fraser remarked that his colleague might be granted an interview with Vice Premier Teng Hsiao-p'ing ply following day. The astonished listeners, immediately began to ply Novak Novak questions for the Vice Premier. At the crowd's insistence, Novak said Teng had try to return the following evening to tell them what Teng had said. He failed to do so, pleading another...
...Dramatic Literature and Cultural Criticism. He taught briefly at Cornell (freshman composition, where he says he "first learned to write"), Vassar, and, after receiving his Ph.D., Columbia. "I actually went into drama criticism because I thought it would get me practical work in the theatre," Brustein said in an interview re-published in The Third Theatre...
There is absolutely no reason to believe that Brustein is seriously committed to upgrading the academic status of Harvard theater. In an interview last month, Brustein stated that he was ambivalent about credit theater courses, suggesting that committed students will work best when they are taking an extracurricular course. Later, he said that he was open to the idea of credit courses if students seemed to want them. Such ambivalence does not a "champion" make...