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Word: intros (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...consistently hard and loud rock music, the album can get a little tiring. The appropriately titled “Interlude with Ludes” is a particularly wasteful use of four minutes, while closer “Spinning in Daffodils” is over-extended after its beautiful piano intro by Jones. Like Grohl’s drumming, Jones’s bass contributions are not highlighted and he seems a little overshadowed by his illustrious bandmates. Despite these issues, “Them Crooked Vultures” is an undoubtedly successful debut for the supergroup. In fact, this...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: Them Crooked Vultures | 11/20/2009 | See Source »

...we’ve got the intro claiming that Kurt has come out to “everybody”? Look, we honestly can’t keep with your fast-paced life, Mr. Hummel. Are you out? Semi-closeted? Are you on the football team this week or not? When can we start stalk-- er, following you on twitter...

Author: By Luis Urbina, CRIMSON STAFF WRITER | Title: Recap: “Wheels” | 11/14/2009 | See Source »

...teach two fiction courses here at Harvard—“Intro to Fiction Writing” and “Advanced Fiction Writing.” What advice do you have for your students or other aspiring writers...

Author: By Jyotika Banga, CONTRIBUTING WRITER | Title: 15 Questions with Amy Hempel | 10/22/2009 | See Source »

...Edmund Wilson, and John O’Hara gutsy enough to demand color pieces from magazine bigwigs and lucky enough to actually get them—have fallen off several levels in probability; many of America’s brightest minds are now holed up in grad programs, grading intro-level Expository Writing papers and picking away at theses on Milton in the hopes that tenure will nab them those same assignments...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Bright Lights, Big Pity | 10/20/2009 | See Source »

It’s hard to believe that Gibson’s signature sonic texture comes from a single instrument, but more surprising than the density of Gibson’s tone is the wide range of atmospheres he and Chippendale manage to evoke with their limited palette. The intro to “Flooded Chamber” is crafted from loops of pitch-shifted feedback, coalescing into a mournful seagull cry above Chippendale’s skittering ADD drums. “Rain on Lake I’m Swimming In” is a wash of echoed, harmonized...

Author: By Mark A. VanMiddlesworth, CRIMSON STAFF WRITER | Title: Lightning Bolt | 10/16/2009 | See Source »

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