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...sound. As a result, even his choice of acoustic guitar as the basis for many of his songs—fairly typical for singer-songwriters—becomes distinctive through his unusually syncopated rhythms and complex, bluesy chords. The title track is the most obvious example of this; its intro is marked by an emphasis on the off-beat. The drums, entering in the in the second verse, match the syncopation of the acoustic guitar perfectly, as the electric guitar pronounces the off-beats. A piano nonchalantly doodles a jazz riff. On top of all this is a string quartet...

Author: By Susie Y. Kim, CRIMSON STAFF WRITER | Title: Sondre Lerche | 9/10/2009 | See Source »

...their early LPs), and only one of them seems essential. “The Fireside” drones and wanders but never ignites; closing number “And the Glitter is Gone” picks up where “Beat Your Ass” extended intro “Pass the Hatchet” left off, but can’t register the same urgency without handclaps and vocals. “More Stars Than There Are in Heaven” is the most successful, relying on a slow buildup of fuzzy drums and airy guitar. The refrain...

Author: By Jessica R. Henderson, CRIMSON STAFF WRITER | Title: Yo La Tengo | 9/10/2009 | See Source »

...avoid the chaos and long lines, it’s important to strategize: Find out when the big, intro lecture courses end in Sanders Theater next door (specifically: Ec 10, and Life Sci 1A), and don’t touch Annenberg with a 10-foot-pole for the following half-hour. Arriving at meals seven minutes before the dining hall closes also works well, though if you tend to run late, this can lead to missed dinners, perpetual hunger, and multiple trips to ‘Nochs for pizza...

Author: By Molly M. Strauss, CRIMSON STAFF WRITER | Title: Getting Around Annenberg | 8/20/2009 | See Source »

...Freshmen often find intro classes—which each enroll hundreds of students a semester—to be impersonal, challenging, and even outright annoying. Here are a few tips to minimize your pain...

Author: By Monica S. Liu, CRIMSON STAFF WRITER | Title: How To Deal with Big Intro Classes | 8/20/2009 | See Source »

...trend. Instead of a single character, there was an entire battalion of G.I. Joes, each given signature weapons, backstories and code names like Scarlett and Snake Eyes. Joe also got a new enemy, Cobra -"a ruthless terrorist organization determined to rule the world," as described in the intro to the 1980s TV cartoon G.I. Joe: A Real American Hero. (Cobra operatives got action figures, too.) G.I. Joe was also made into video games for early Atari and Commodore game platforms and as a comic-book series published by Marvel from 1982 to 1994. This won't even...

Author: /time Magazine | Title: G.I. Joe | 8/7/2009 | See Source »

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