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Word: intros (lookup in dictionary) (lookup stats)
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Usage:

...analyses Bob Rafelson's style, pulling out on route some of his favorite baseball cards--Fellini, Bergman, Antonioni, Truffaut, Godard, Hitchcock, Ford, Welles, Walsh, Nichols, Mazursky, Grosbard--all in one short and easy review. Past the intro, there's no more social consciousness. It is pretty nervy for Sarris to condemn "disconnection with the Other" midway through as a misinterpretation of auteurism's roots. At that point he's already lost three quarters of his non-acolyte audience...

Author: By Michael Sragow, | Title: Decline and Fall of a Film-Watcher | 11/22/1972 | See Source »

...eight Ivies are playing non-league interstate rivals and things look good. Only Brown can be considered to have an excellent shot at losing. With so many games on tap. I'd better cut the intro and get down to the hard core pr-pre-por-porno-pornogr-progn ostication. A swift salute to the Ivies chances and we're on to the nicks...

Author: NO WRITER ATTRIBUTED | Title: Dake It Or Leave It | 9/30/1972 | See Source »

...star. He can provide them all with limousines but not private dressing rooms and dressers. (In the 1968 show, Marlene Dietrich was spotted massaging Pearl Bailey's perennially aching feet.) Agents can also be a nuisance, carping just before air time that their client's intro is 37 words of praise shorter than someone else...

Author: /time Magazine | Title: Television: The Winner Is... | 3/29/1971 | See Source »

...Studies suggest that a significant and perhaps increasing proportion of our population falls into the category of diagnosable mental illness," Grinspoon said. "Faced with high levels of environmental or intro-psychic stress, both groups, healthy and ill, may revert to more primitive modes of thinking, often characterized by magical explanations and symbolic usage...

Author: By Carol R. Sternhell, | Title: Flying Saucers and Your Head | 1/6/1970 | See Source »

...TYPICAL song begins with a soft organ intro which is then picked up by the others and transmuted through a series of structural and musical changes. For example, in "Punch and Judy" each member of the group does a solo (Lassie Sachs' bass solo being outstanding) while in the background the others play the melodic line in a fading spiralling version...

Author: By Salahuddin I. Imam, | Title: The Bead Game | 5/9/1969 | See Source »

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