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...story does stray into that home-childhood-boring-boring territory. Lewis, we learn, craves attention because Daddy ignored him; Martin, so detached he can't connect with anyone, cats around on his wife. The movie doesn't trust us to intuit its insights into its subjects, so we have to hear flat-out from Martin, "My mother always told me, 'Never let anybody know who you are.'" At one point, Hayes is forced to say, "When Jerry Lewis loves, he loves too much, and when Jerry Lewis hates, he hates too much." When this script explains, it explains too much...

Author: /time Magazine | Title: Television: Song-and-Dunce Act | 11/25/2002 | See Source »

...experience flashes of extreme brilliance, study astrology, intuit like a pointer dog or just want to meet someone who does, be sure to contact Teil Silverstein...

Author: By Paul Kofoed, CRIMSON STAFF WRITER | Title: Seers and Seekers of the World, Unite | 10/24/2002 | See Source »

...back-office operations, a controversial proposal that the once rigidly controlled organization is seriously considering. "Boards typically don't see that level of debate. They're usually hidden by the CEOs," says director Scott Cook, a former P&G brand manager and co-founder of financial software firm Intuit...

Author: /time Magazine | Title: A Healthy Gamble | 9/16/2002 | See Source »

...recent poll by Princeton Survey Research Associates, 45% of respondents said they would be more likely to try financial services if they were sponsored by their church. And companies are eager to peddle their wares to such receptive audiences. Some firms, including Citigroup, Intuit and Freddie Mac, have signed on to work with One Thousand Churches. But others like Merrill Lynch--which quietly donated $30,000 to the program last month--seem hesitant to publicly affiliate themselves with Jackson's financial ministry...

Author: /time Magazine | Title: Money Management: Ministers Of Finance | 6/10/2002 | See Source »

Following Easy deep into Europe, Brothers shifts its focus among a vast ensemble that changes as the casualties mount; almost all are portrayed by little-known actors, so the viewer can't intuit who will survive. Grisly and deadpan, Brothers seeks to be a corrective to movies that romanticized war. Yet in a way its unvarnished reality replaces the old glorification of war with a new kind. In the eighth episode, a voice-over by one soldier almost petulantly wonders if noncombatants would ever understand the soldiers' sacrifice: "How could anyone ever know the price paid by soldiers in terror...

Author: /time Magazine | Title: Television: Back To The Beachhead | 9/10/2001 | See Source »

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