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...grow far, far more complicated than this, and DeLillo develops his intricate plot with cinematic bravura. There are flashes back and forward in time, and jump cuts between the conspirators and Oswald, who is growing up to become exactly the kind of person the CIA renegades had planned to invent: a malcontent and misfit with a known fondness for Castro and guns. Slowly, dimly, Oswald begins to realize that he is being watched, people have designs on his destiny. Someone who knows what is cooking spells it out for him: "You're a quirk of history. You're a coincidence...

Author: /time Magazine | Title: Books: Reimagining Death in Dallas LIBRA | 8/1/1988 | See Source »

...trying to invent a way for English to be used as a viable music- theater language," says the composer. "Usher was all sung, The Representative used a mixture of speech and song, and 1000 Airplanes is spoken. But I'm still finding my way." As directed by Glass, the piece emerges as a strong statement in which the whole is, for once, equal to the sum of its formidable parts. And for those who care about contemporary music theater, that is good news...

Author: /time Magazine | Title: Music: The Opera As Science Fiction | 8/1/1988 | See Source »

...trouble was, he would say anything. "He delighted in turbulence," writes Clarke. "When none existed, he would stir it up." Clarke quotes Slim Keith's recollection that "he would invent something out of whole cloth, an absolute fabrication, and say, 'Did you know that X is having a walk-out with Y?' I would say, 'Oh, Truman, for God's sake! That's ridiculous!' Then I began to think about it more and wondered: is it that ridiculous? And something usually did come of his invention . . . he could cause a lot of trouble...

Author: /time Magazine | Title: Books: The Troubles of the Tiny Terror CAPOTE: A BIOGRAPHY | 5/30/1988 | See Source »

What is troubling in his work is a moral ambiguity that verges on cynicism, coupled with a high-minded tone that verges on sanctimony. In The Untouchables he claimed the authority of history to invent a fictitiously murderous Eliot Ness and, worse, a guilty plea made for Al Capone by his attorney against the mobster's will. That is something that could not happen in any court still observing the fundamentals of the Constitution. In Speed-the-Plow Mamet makes the unastonishing revelation that movie moguls are venal and pandering. Perhaps he means to prick spectators' consciences by holding them...

Author: /time Magazine | Title: Theater: Madonna Comes to Broadway | 5/16/1988 | See Source »

...white political establishment, along with the press, has been consistently underestimating Jackson since 1984. Then they initially doubted the magnitude of Jackson's appeal to the black community, and now they question his continuing support ^ among whites. What these conventional calculations miss is Jackson's uncanny ability to invent his own rules and often win by them. Even if Jackson does not ultimately leave the Democratic Convention in triumph, he will still be a victor. For he has already taught white America that a black person is not only somebody, he can be anybody. Even President of the United States...

Author: /time Magazine | Title: Taking Jesse Seriously | 4/11/1988 | See Source »

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