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...close, with a salute to those courageous endurers who are committed to destroying apartheid in South Africa, and a question for dilettantes like myself, whose responses to the issue are studiously correct and sterile. If there were no South Africa to engage our ephemeral protest, would we not invent...

Author: By Theodore P. Friend, | Title: The Divestment Wonder-Drug | 5/2/1985 | See Source »

Hollein has flouted the fetishes of dead-end, blank-box modernism--perhaps out of principle but perhaps also because he could not dream of bridling his ferocious drive to invent and surprise. He seems to create buildings with the spirit other architects might bring to an amusement park. His work at its best is lyrical and joyously jam-packed, smart and sensuous, like a Nabokov story. He believes buildings should even be erotic. In the first of two shops he designed for Schul- lin jewelers in Vienna--a plush, narrow space with an irregular fissure in the gleaming facade...

Author: /time Magazine | Title: Design: The Art of Joyful Jam-Packing | 4/15/1985 | See Source »

...five years. In all, Iacocca's 30-second spots have reached 97% of American households an average of 63 times apiece. But even that sustained barrage of television visibility was only a prerequisite for Iacocca's popularity, not its ultimate cause: he had to touch nerves. "We didn't invent Lee Iacocca," says Kelmenson. "We couldn't have. We just communicated the Lee Iacocca persona to the American public...

Author: /time Magazine | Title: A Spunky Tycoon Turned Superstar | 4/1/1985 | See Source »

...that none of the bombardier's chemicals are unique to the insect. Hydrogen peroxide is often a by-product of metabolism in the cell. Phenols, the chemical group to which hydroquinones belong, are employed by many plants and primitive animals to heal and disinfect wounds. "The beetle didn't invent anything," says Eisner. "It just found novel uses for existing elements...

Author: /time Magazine | Title: Science: Drafting the Bombardier Beetle ^ | 2/25/1985 | See Source »

Attendance is up, and one reason is the use of supertitles, translations projected above the stage. Although Sills did not invent them (they were first used in Toronto), she has popularized the technique. Supertitles have rightly been criticized for occasional inaccuracy, for anticipating the punch lines of jokes and for injecting an element of television into the opera house, but Sills strongly defends them. "Do I want to tell someone who has worked on Wall Street until 5:30 to study the libretto or take a course in German?" she asks. "Do I want people sitting in my audience with...

Author: /time Magazine | Title: Music: Champagne Time for Beverly Sills | 10/29/1984 | See Source »

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