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...submitted his passionately theatrical piece for soprano and orchestra, Cléopâtre, to the Prix de Rome committee. It was rejected with a scolding from one of the judges, who said, "You refuse to write like everybody else. Even your rhythms are new. You would invent new modulations if such a thing were possible." The story goes that when Gioachino Rossini was shown Berlioz' score for the Symphonic Fantastique, he examined it for five minutes and said, "Thank goodness, this isn't music!" Recently Pierre Boulez complained, only half in jest, that Berlioz "has only...

Author: /time Magazine | Title: Composers: Hector the Ferocious | 11/22/1968 | See Source »

...group was basically unformed and quite rough at the edges, although always vital and exciting. With the addition of Nicky Hopkins the group has entered a period of maturity and has taken on a new dimension. If Jeff Beck did not have Hopkins, he would have had to invent...

Author: By Salahuddin I. Imam, | Title: The Jeff Beck Group | 10/30/1968 | See Source »

...clichés. As he showed with his productions of La Traviata and Madama Butterfly, Corsaro is a determined spoiler when he confronts the creaking plots of traditional opera. If he wants to bring on familiar characters at unexpected moments, he does so. If he decides to invent minor characters, he does that...

Author: /time Magazine | Title: Opera: Outrageous, but Good | 10/25/1968 | See Source »

There is also some wild black humor, notably one episode that is a bitter comment on the outside world's long gullibility about Soviet Russia. Two prisoners invent a fantasy about a visit by Eleanor Roosevelt to Moscow's Butyrki Prison, just after the war. Inmates are washed in "Lilac Fairy" soap, offered wigs to cover their shaved heads. Their cells are temporarily transformed into elegant salons with foreign magazines on their coffee tables. When Mrs. Roosevelt picks out at random a man and asks what he is being punished for, the prison governor replies that he was a Gestapo...

Author: /time Magazine | Title: World: THE WRITER AS RUSSIA'S CONSCIENCE | 9/27/1968 | See Source »

...more playful item, about half a dozen members of the cast do a kind of jungle gavotte. With kangaroo hops, lion growls and peacock flutterings, they imitate and invent animals. Each actor performs feats of remarkable physical agility. Quite possibly, the Living Theater's eventual fame may rest on throwing out Stanislavsky in favor of the R.C.A.F. manual...

Author: /time Magazine | Title: Repertory: Shock Troops of the Avant-Garde | 9/27/1968 | See Source »

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