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...Inward from War. The drawings were obviously studies for paintings Marc hoped to make some day. Each was a fully thought out composition and had been executed with an extraordinary mingling of boldness and delicacy. They showed that Marc was still moving towards abstraction, might eventually have grown as abstract as his friends Kandinsky and Paul Klee...

Author: /time Magazine | Title: Art: Gentle Expressionist | 1/2/1956 | See Source »

Wrote Munich's Süddeutsche Zeitung: "Nothing about them suggests the milieu in which they were born ... in the midst of war and destruction Franz Marc's gaze turned inward . . . from crystalline lines he lets the Birth of a Cicada come into being. Animals appear: deer, horses . . . and the feather-light body of a swallow . . . Already far away from presenting the material, the visible, the drawings try to grasp a spiritual reality and make the objects transparent...

Author: /time Magazine | Title: Art: Gentle Expressionist | 1/2/1956 | See Source »

...said that her essential quality as a performer, as a person, is radiance. Her emotions do not flame out in all directions at her audience. The fire draws inward to a center, and there burns in a still whiteness not unlike the brightness that the mystics live...

Author: /time Magazine | Title: The Theater: A Fiery Particle | 11/28/1955 | See Source »

Above the Water. To depict the dramatic sinking of the Dorchester Nivola designed a huge 22-ft.-by-24-ft. hull of white, reinforced concrete, balanced it over a broad fountain basin which flows inward with a whirlpool motion to a small central oval. For the four 6-ft.-tall sandcast plaques, set just above the water to memorialize the four chaplains, Nivola also went back to an early inspiration, the semi-abstract holiday bread loaves made by Sardinian women. For his motifs Nivola picked four common aspirations: the clasped hands of prayer, conflict of good and evil, family unity...

Author: /time Magazine | Title: Art: Sand Sculptor | 10/10/1955 | See Source »

...voice of the desert has been largely ignored. To the Hebrews it spoke of the one true God, to the Arabs of the stars and the science of astronomy. It is a stern, conservative voice, encouraging endurance rather than conquest. The desert shows man his limitations and turns him inward. When practical-minded men inquire, "But what is the desert good for?", perhaps the best answer still is: "Contemplation...

Author: /time Magazine | Title: Books: The Curious World | 9/19/1955 | See Source »

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