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...Chicago's Rev. Jesse Jackson. A strong advocate of the theory that white America not only is racist but is losing any feelings of guilt, Jackson urges blacks to turn inward and help themselves. "You must aim high," he has advised. "You must believe you can become a doctor or lawyer or nurse or the alderman for your ward." After the Miami riots, Jackson told his followers in Chicago: "Our young people must not consider it a badge of courage, with blood in their eyes, to run headlong into an organized military brigade, and to run from genocide...

Author: /time Magazine | Title: Nation: I Feel So Helpless, So Hopeless | 6/16/1980 | See Source »

...that even Picasso's egotism could interpret as competition. She became an oasis of sexual comfort. His images of Marie-Thérèse reading, sleeping, contemplating her face in a mirror or posing (in the Vollard suite of etchings) for the Mediterranean artist-god, Picasso himself, have an extraordinarily inward quality, vegetative and abandoned. In one sense, the body of Marie-Thérèse, curled up in Nude Asleep in a Landscape, 1934, is seen as a graffitist might see it?a lilac-toned pink blob, twisted and curled to show its openings, nipples and navel, the body recomposed...

Author: /time Magazine | Title: The Show of Shows | 5/26/1980 | See Source »

...from being a retreat from '60s activism, this turning inward was a necessary examination of the nature and position of the self in modern society. The new self is now returning to a more firmly grounded social activism, or so Ferguson sees it. True, there is no national movement and little shared approach, but that is part of the old "political paradigm" of mass action and confrontation...

Author: By Eric B. Fried, | Title: The Gospel of a Dawning Age? | 5/7/1980 | See Source »

Evil, however, can be both magnificent and foul. The groveling degradation of the hired assassin Bosola counterbalances the Cardinal's satanic grandeur. Brian Sands, as the slimy Bosola, is another thoroughly loathsome villain. Half-naked, he revels in his own corruption and derides the courtiers who hide their inward decay with fine clothes and a gracious manner. He listens at keyholes, squirming on the floor as he does, and obtains the evidence of her clandestine marriage that dooms the hapless Duchess. Sands mimes better than anyone else in the cast. Referred to more than once as a serpent, he slithers...

Author: By Katherine Ashton, | Title: Someone Else's Nightmare | 4/16/1980 | See Source »

...LOOKS INWARD on itself and finds art, looking in on itself, and back; the artist portrays the artist portraying himself, and lands somewhere in between. Asymptotic maunderings, these, on the ineffable relation between art and the artist that animates Mark Leib's brilliant and vertiginously profound Terry by Terry, a new play which joined the American Repertory's repertoire last Friday at the Loeb. Terry is obsessively theatrical--it concerns a playwright and the play he has written, and its most visceral impact is on other writers. But to characterize such concerns as esoteric, to cubbyhole theater as some sort...

Author: By Paul A. Attanasio, | Title: rry By Terry By Terry By Terry By | 4/10/1980 | See Source »

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