Word: inwardness
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...hideous pair of black and white pumps. But these were not an ordinary pair of black and white pumps; both were left feet, one had a right angle turn with separate compartments that pointed the toes in impossible directions. The other shoe was six inches long and was curved inward like a rocking chair with a vise and razor blades to hold the foot in place...
This school of hard knocks made Keaton a superb physical comic. It also drove him inward, to a place where neither friends, wives nor biographers could succeed in following. He was a passive, gentle, largely inarticulate man. His Hollywood career flourished as long as he had a producer, Joseph M. Schenk, who gave him independence and financial protection. Under such conditions, Keaton made at least two films, The Navigator and The General, that are unquestioned classics of the silent era. Unfortunately, Keaton's comedies did not show the profits of Chaplin's or of Harold Lloyd...
Keaton's decline was ghoulishly documented by the industry that caused it. He appeared as increasingly deteriorating versions of himself in Hollywood Cavalcade (1939), Sunset Boulevard (1950) and Beach Blanket Bingo (1965). He turned his anger inward and drank himself to distraction. Yet he also lived long enough to become the somewhat puzzled darling of academics and film historians. Samuel Beckett sought him out and wrote a screenplay, Film (1964), in which Keaton starred. When the two met for the first time, they discovered that they had almost nothing to talk about...
Daniel Steiner agrees with Kriss, saying, "There certainly was heavy outwardly-directed political activity, but inward-directed pressures to change the University were much less." Steiner should know--he has handled student protests at Harvard as general counsel to the University and chief aide to President...
...SYMBOLS themselves are meaningless, like words without perceptions. And to cling to any symbol--whether to be mindlessly patriotic or trendgoing punk--is decadent. And this is where the angst either emerges, or turns the knife inward. This is where confused fools lose themselves in their symbols and overdose, and it is where artists use their symbols, change them, flex them, adapt them, to express their angst. It's facing reality: Iggy Pop is a fool, Sid Vicious is dead, Johnny Rotten is dying, and Patti Smith is fucking with the future.*CrimsonLaura J. Levine...