Word: ionesco
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...also had a series of 11 low-budget Workshop productions. Besides providing one student a chance to test his playwrting on audiences (as indicated earlier), the Theatre Workshop gave Beckett's Krapp's Last Tape, Ionesco's The Bald Soprano, Adamov's Professor Taranne, Fry's A Phoenix Too Frequent, Synge's Shadow of the Glen, Genet's The Maids, David English's Waiting for Goodman, Robert Shure's Twink, Ionesco's Jack and O'Neill's The Rope. The production of the last-named was totally inept, but the rest were well worth a visit, with outstanding performances...
Winning her first big role in 1955 as a cabin boy in Orson Welles's production of Moby Dick, she later became an original member of the English Stage Company, which gave her a range of experience from Wycherley to Ionesco, from youth to old age: she once played a 17-year-old and a 94-year-old in the same performance ("It's easier to play a 94-year-old than a so-year-old when you're 25"). It was her work in the company that brought her to the attention of Olivier...
Good God. In the age of Beckett and Ionesco. Bill Saroyan's zaniness seems almost conservative. The new play has a bank clerk named Sam Harkaharkalark, a bank president named Mr. Horniman, and a succession of other Saroyantic types who deposit both cash and wisdom. Among them: a stripper named Daisy Dimple, a blind man who doubles as "squopper'' or tragic chorus, a gypsy who spouts Greek that translates into Saroyanese. ("All is not all. How could it ever be?" ) Also in the cast of characters: a girl who is having a baby by an American named...
...directors usually make up for the lack of performing skill by choosing off-beat plays; and this summer was no exception. The company kicked off with Goodrich & Hackett's The Great Big Doorstep, and followed it with two of Eugene Ionesco's avant-garde one-acters: The Lesson; and Jack, or the Submission. Neither of the last two is in a class with Ionesco's The Chairs; but both are intriguing if too drawn out dramatizations of his thesis that people just cannot communicate sufficiently through language. Jack was more imaginatively staged here than the New York production last year...
Frank Langella, who turned in two excellent performances in the Ionesco plays at Tufts a few weeks back, is a bit gawky and uneasy in the role of the young architect. Hopefully he will bring more poise and decisiveness to his movement as the run progresses. For he is one of the most versatile young actors seen in this community in quite a while...