Word: ipi
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...same time that the IPI published its findings, the American Council for an Energy-Efficient Economy published a report that found the Waxman-Markey bill would generate 7,700 jobs in Colorado alone. And the non-partisan Congressional Budget Office found that Waxman-Markey would have a net positive impact on government finances to the tune of $25 billion...
...Khan was called the Fakir of Ipi, after the Wazir town where he was said to exercise divine powers-like turning sticks into guns and feeding multitudes with a few loaves of bread. Flying the banner of "Islam in Danger," his small lashkars, or war bands, ambushed convoys and raided prominent towns, killing Hindu traders and marching off with money and munitions. For colonial officials in London and New Delhi, this was no minor uprising of petty bandits. Intelligence estimates at the time counted 400,000 fighting men among the various Pashtun tribes, at least half of them armed with...
...stronger, from their myriad training camps and bases. "I doubt whether Washington in 2007 knows much more about what is happening in Waziristan than London did in 1937," says Alan Warren, a military historian and author of a book on Khan. If so, as with the elusive Fakir of Ipi, the heirs of that British frontier force of old might, too, never get their...
...Zulu tongue, Ipi-Tombi means "Where are the girls?" On the New York opening night, the show not only brought on the girls but also offered an offstage line of black pickets. The cause for complaint is that the musical was conceived and produced by South African whites. The reiterated theme of the pickets is that anyone who supports the show lends his approval to genocide and infanticide. That is an exaggerated description of South African racial policy, however much one may deplore...
...musical is as innocent as the birth of song and dance. One legitimate objection to Ipi-Tombi might be that it seems rather closer to Shubert Alley than to the tribal life and customs of the Zulus. The story line is simplicity itself. A young man (Daniel Pule) who lives in the village of Tsomo is drawn to the big city (presumably Johannesburg) in the hope of earning more money for his wife (Linda Tshabalala) and family. He finds urban life unappetizing and dehumanizing and returns to his hometown. That a simple, unspoiled child of nature can be corrupted...