Word: iras
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Spend Easter Sunday in Belfast and you have to wonder what happened to the IRA...
...sedation from terminal sedation is that the latter often goes hand-in-hand with cutting off other medications or removing a patient's feeding tubes. On its face, this may sound to many people as automatically hastening a patient's death. But that's not the case, says Dr. Ira Byock, chair of palliative medicine at Dartmouth Medical School, who has performed terminal sedation for his patients. "This is a practice, when used correctly, that's only done in the final stages of life," Byock says. "At that point, nutrition or antibiotics can usually do nothing to prolong life." Indeed...
...year expiration on those grants is near, and the NASDAQ is still at just half its peak level, while the broader Standard & Poor's 500 has barely gotten back to even. Grants made in 2000 alone represent lost value of $150 billion, with virtually no chance of recovery, says Ira Kay, an executive pay consultant at Watson Wyatt...
...tries to take away the girl. 007 is a convincing Casanova at whatever age, even though he has to pull it off without the accent. Harry’s emotional crisis sets off subsequent emotional conflicts that affect each of the four two-faced leading characters. Writer and director Ira Sachs suggests that married life is a web of emotions that makes people deceive their loved ones. The movie itself is a deception, however; marriage, as any gender studies concentrator could tell you, is a contract that binds together people’s lives in more than one way. Sachs...
...story, from John Bingham's novel Five Roundabouts to Heaven, was first dramatized in 1962 for an Alfred Hitchcock Hour called "The Tender Poisoner," with Dan Dailey as the husband, Jan Sterling as the wife and Howard Duff as the friend. Here, in the script that director Ira Sachs has written with Oren Moverman, the tale in set in the late '40s - prime time for film noir, whose shadowy contours and sleek period architecture the Sachs movie mimes. Of late, noir has often been pretzeled into post-modernism: by Joel and Ethan Coen in The Man Who Wasn't There...