Word: iras
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...random, vendetta killings. "Many, many innocent people have been killed," he says. "There's a tit-for-tat campaign of sectarian murder, where randomly chosen Catholics and Protestants are killed by the violent groups, simply because of their religion and for no other reason at all." One day the IRA kills a Protestant, Hume says, and the next day the Ulster Defence Association retaliates and kills a Catholic...
Hume seeks to correct what he says he believes is a popular international misconception--that the provisional Irish Republican Army contributed to Ulster violence from the very start of the civil rights movement. He emphasizes that it was not until a full year after Bogside that the IRA reappeared and began to recruit members in the Catholic ghettoes of Ulster and Belfast. "At first, the IRA claimed only that they wanted to defend the Catholic community. But it wasn't too long before the IRA was off on the attack with its bombing and shooting...
...Casey sees the Plough and Stars (the flag of the IRA) from the window of a Dublin flat, and through women's eyes. This view of the Easter Revolution was cynical enough to cause riots when it first was staged. In O'Casey's portrayal, the Irishmen in the Citizen Army died shitting with fear; their wives went mad trying to keep them safe at home. The only heroes in The Plough and Stars are those who neither fight nor spout rhetoric: Fluther Good, the working man whose honest dignity defies the British to do their worst, though...
...sorts, arguing about what to watch on television while a room full of weapons sits upstairs. They are a family with interconnecting lives, yet they know little about each other. Mayo does not explain to Hood why he is kept waiting for a call to action in the IRA...
...thrill out of having her things stolen than she does from giving them away. The novel turns on Hood's discovery that Mayo's stolen painting really belongs to Lady Arrow. All action, Hood sees, is political and all politics, drama. This is true not only of the IRA's schemes but also of his own. In Van der Weyden's artistic portrait of a man of action, Hood had come to recognize his own face...