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Kelly, who is also a Crimson executive editor, grew up in Woodlawn, a part of the Bronx, New York that is home to a large Irish-American and Irish immigrant population. But he and his friends took a slightly different approach to their culture, turning to punk-influenced Irish groups like The Pogues and The Dropkick Murphys rather than traditional Celtic music. He also began sporting Irish clothing and reading Irish history and literature...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: How to Grow a Crimson Clover | 3/16/2006 | See Source »

...When we say Irish culture, we’re really talking about Irish-American culture,” Kelly says. “There isn’t really a representation of the Irish diaspora at Harvard...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: How to Grow a Crimson Clover | 3/16/2006 | See Source »

...Making Irish culture in Boston more prominent does not depend on just appealing to people of Irish descent. Both O’Donovan and O’Reilly draw audiences from outside the Irish community. O’Donovan says that some 50 to 60 percent of his audience is of a non-Irish ethnicity, and O’Reilly claims that, in surveys done of his audience, about 70 to 75 percent identify themselves as something other than Irish or Irish-American...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: How to Grow a Crimson Clover | 3/16/2006 | See Source »

BC’s history is deeply intertwined with that of the Irish-American community in Boston—and of our own college. BC was founded in part as a response to discriminatory policies against Irish immigrants and Catholics at Harvard in the nineteentth century. According to the college’s website, when BC moved to Chestnut Hill in 1913, “the University celebrated this connection [with the Irish] by naming the largest and most important room on campus the Irish Hall.” But Harvard’s Turner believes that...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: How to Grow a Crimson Clover | 3/16/2006 | See Source »

Despite having widened his target demographic, Flynn insists that the festival is still “first and foremost catered to Irish and Irish-American consumers” as a way to celebrate Irish culture and accomplishments. He also lists more discerning viewers with a taste for non-mainstream, art-house movies as a secondary audience...

Author: By Carmen E. James, CONTRIBUTING WRITER | Title: HFA Gets Lucky with Irish Film | 11/17/2005 | See Source »

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