Word: irma
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Among the holdovers from the past season, Mary, Mary incites full houses to laugh along with Playwright Jean Kerr. In Camelot, a new King Arthur (William Squire) presides over the Round Table. Irma La Douce is still the most delectable way to tour the Parisian underworld. Broadway's Carnival! yields nothing to its Hollywood model Lili in poignance and charm-and there is always the grande dame of musicals, My Fair Lady...
Among the holdovers from the past season, Mary, Mary incites full houses to laugh along with Playwright Jean Kerr. In Camelot, a new King Arthur (William Squire) presides over the Round Table. Irma La Douce is still the most delectable way to tour the Parisian underworld. Broadway's Carnival! yields nothing to its Hollywood model Lili in poignance and charm-and there is always the grande dame of Manhattan's musicals, My Fair Lady...
Among the holdovers from the past season, Mary, Mary incites full houses to laugh along with Playwright Jean Kerr. In Camelot, a new King Arthur (William Squire) presides over the Round Table. Irma La Douce is still the most delectable way to tour the Parisian underworld. Broadway's Carnival! yields nothing to its Hollywood model Lili in poignance and charm-and there is always the grande dame of Manhattan's musicals, My Fair Lady...
...Jean Kerr's Mary, Mary continues to sail along with sellout houses, and Shelagh Delaney's raw and powerful A Taste of Honey is still on the boards, as are the musicals Camelot (Arthur and the Round Table), Carnival! (a Broadway version of the film Lili), and Irma La Douce (Parisian underworld). From the Pleistocene epoch: Fiorello!, a musical replanting of New York's Little Flower; The Sound of Music, the last and most sentimental work of Rodgers and Hammerstein; and, of course, My Fair Lady...
...Arthur and the Round Table), Carnival! (a Broadway version of the film Lili), and Irma La Douce (Parisian underworld). From the Pleistocene epoch: Fiorello!, a musical replanting of New York's Little Flower; The Sound of Music, the last and most sentimental work of Rodgers & Hammerstein; and, of course, My Fair Lady, by George Lerner and Bernard Loewe...