Word: irmgard
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Dates: during 1930-1939
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When the saving notion of a music-school background came to Goldwyn, he turned it over to Scenarists Irmgard von Cube and John Howard Lawson. For another $30,000 Heifetz consented to return to Hollywood for a few necessary scenes. Goldwyn feared more trouble getting Virtuoso Heifetz to play to the accompaniment of his juvenile orchestra, 45 gifted Los Angeles protégés of philanthropic University of Southern California Professor Peter Meremblum. But when Heifetz heard the kids on the set valiantly attacking the Barber of Seville overture, he acted just as Producer Goldwyn hoped he would, grabbed...