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...most consistent image of the White House so far is the parade of celebrities being whisked in and out of the iron gates for private audiences with Administration officials. Barbra Streisand played her new CD for the President first, made calls from the study next to the Oval Office and dined with Janet Reno. Christopher Reeve and Billy Crystal got environmental briefings from two Cabinet Secretaries. A group of Hollywood celebs was invited for a Saturday-morning briefing on health care. The overnight guest list for the Lincoln Bedroom sometimes reads like the register at the Hotel...

Author: /time Magazine | Title: Shear Dismay | 5/31/1993 | See Source »

...Forging a New Iron...

Author: /time Magazine | Title: Time Magazine Contents Page | 5/3/1993 | See Source »

Giacometti, by contrast, did not work in iron at all; every object by him in this show is cast bronze. He is included, presumably, because of his relations to Picasso through the Surrealist figure, because of his influence on Smith and because of the linearity of his style -- an obsessive thinning out of sculptural mass that is nevertheless modeled in a wholly traditional way on an armature, and never welded. It's true that Giacometti tended increasingly to think of sculpture as a means of connecting points in space, rather than of setting volume imposingly before...

Author: /time Magazine | Title: Art: The Iron Age Of Sculpture | 5/3/1993 | See Source »

Smith remains the true primary heir of Picasso and Gonzalez -- and, to some extent, of Giacometti, whose space constructions like The Palace at 4 A.M. inspired the young American artist in the '30s to make a series of small iron precincts and even a miniature iron house, complete with iron paintings on the walls. Curator Gimenez's choice of his work is an exemplary condensation. Beginning with those initial Surrealist images, it picks up on the early sculptures that clearly indicate the bent of his talent, such as Amusement Park, 1938, a small work that both remembers Picasso's iron...

Author: /time Magazine | Title: Art: The Iron Age Of Sculpture | 5/3/1993 | See Source »

...organic and the mechanical in an unstoppable lyric eloquence. He imagined his work connected to the heroic tradition of American technology. "My aim," he wrote in 1952, "is the same as in locomotive building: to arrive at a given functional form in the most efficient manner." Sculpture's iron age, in such hands, was also a golden...

Author: /time Magazine | Title: Art: The Iron Age Of Sculpture | 5/3/1993 | See Source »

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