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She and He, directed by Susumu Hani, 35, is an exquisitely ironical tragedy of progress. The hero (Eiji Okada), a rising young executive who lives in a handsome Tokyo housing development, discovers to his dismay that one of his old college chums is living in the ragman's row...

Author: /time Magazine | Title: Cinema: Festival in New York | 9/25/1964 | See Source »

A Shot in the Dark. Four shots, in fact. A police car roars up to the porte-cochere of a chateau and out steps-sacrebleu!-it is the terror of Montmartre, the Napoleon of criminology! It is Inspector Clouseau (Peter Sellers) of the Sureté. Fresh from his daring exploits...

Author: /time Magazine | Title: Cinema: Sellers of the Surete | 7/10/1964 | See Source »

De Maupassant's fiction has been likened to that of "a peasant eating the good side of a wormy apple." It is Cheever's peculiar distinction to make his readers relish the Winesap flesh at the same time as he etymologizes on the worm: the importance of his...

Author: /time Magazine | Title: Novelists: Ovid in Ossining | 3/27/1964 | See Source »

He wrote all the time, but in those days there was nothing much to distinguish his work from 20 other short-story writers. The tone of the time was bleak, flat, ironical. He achieved this style, but it was not really his. Nor did the times suit his lyrical temperament...

Author: /time Magazine | Title: Novelists: Ovid in Ossining | 3/27/1964 | See Source »

There is always a chance that humor, good or dubious, will work some unexpected hurt. I would be the last to wish that this might be so. In a collection of ironical essays commented on recently in the CRIMSON and with which I am sufficiently identified, mention is made of...

Author: NO WRITER ATTRIBUTED | Title: ABSENT MINDED PROFESSORS | 12/10/1963 | See Source »

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