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Word: ironworking (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...executed in a manner that enhances dramatic conflict, by either equilibrium or disharmony in the distribution of white and dark areas over the screen. Often the shot is divided into two equal segments-one occupied by close-ups of the characters, the other compact with decorative objects (sculptures, pictures, ironwork and flashing neons), or architectural detail (walls, windows, panels and storefronts). In these moments the camera often remains stationary while the actors and actresses perform and move within the flat surface of the image, creating a mise-en-frame (which is the cinematic equivalent of a painting). For example...

Author: By Vlada Petric, | Title: A Renaissance Of American Film Comedy | 6/25/1979 | See Source »

...loathed American regionalism -Thomas Hart Benton with his buckeye Michelangelo plowboys, Grant Wood's Midwestern Arcadias. "The only corn-fed art that was ever successful was the pre-Columbian," Davis snapped in 1934. His own vision of America as subject was much broader. It took in "wood-and ironwork of the past; Civil War and skyscraper architecture; the brilliant colors on gasoline stations, chain store fronts and taxicabs," as well as "Earl Hines' hot piano and Negro jazz music in general." His desire, he wrote, "is to construct formal souvenirs which are an agreeable emblem" of the "speeds...

Author: /time Magazine | Title: Art: Stuart Davis: The City Boy's Eye | 3/20/1978 | See Source »

...structure would attract lightning and somehow kill all the fish in the Seine. Builder Eiffel displayed his disdain for doomsayers by working and entertaining guests in an apartment he had constructed at the top. He was right: heavy storms scarcely sway the tower, and winds pass through the lacy ironwork, budging it no more than four inches...

Author: /time Magazine | Title: FRANCE: The Ailing Grande Dame | 7/18/1977 | See Source »

...current battle over destruction of the pavilions involved aesthetics rather than traditions. This time the conservationists were interested in saving what they consider to be the city's prime example of exquisite early ironwork. Les Halles were designed by Architect Victor Baltard, working with Baron Georges Eugene Haussmann, the city planner who created much of modern Paris. Baltard's first pavilion, shaped in stone, was so gross that Napoleon III personally ordered it torn down. The Emperor told Haussmann: "I want big umbrellas. Nothing more." The baron told Baltard to try iron, and this time he caught...

Author: /time Magazine | Title: FRANCE: Folding the Parasols of Paris | 7/12/1971 | See Source »

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