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...tale. He manipulates a sparse collection of performers--Becket, three priests, four tempters, four knights, and a chorus of women--through a ritual that both plumbs the deep seas of Christian theology and plunders pagan mythology for parallels and a natural background. The mutable verse form, with irregular rhymes and cyclical repetition, can hypnotically enthrall you even if you don't quite catch Eliot's meaning...

Author: By Scott A. Rosenberg, | Title: Speaking Ex Cathedra | 4/23/1980 | See Source »

...hand, one can be sure what the sculptor Martin Puryear is about with a subtly irregular circle of dark bent wood, some four feet in diameter, a minimal serpent with a knob for a head: this hand some and assured object is like a blowup of a tribal bracelet, but with more sculptural presence. On the other, one of the best pieces in the show is Alvin Loving's wall hanging of sewed, dyed canvas, Shades of '73: Composition for 1980, whose variegated strips are like a moody, floral version of a constructivist motif and seem to make...

Author: /time Magazine | Title: Art: Going Back to Africa | 3/31/1980 | See Source »

...convention for decades, but Edwards invests it with a rough, sinewy power, and his larger piece in the show, Homage to the Poet Léon Gontran Damas, 1978, has an almost majestic aura of open declamation. More delicate and complex in feeling is Howardena Pindell's large, irregular patch of canvas, covered with a silvery-pink crust of paint, sequins, confetti and dye, in whose nacreous surface also appears a slow twinkling of glitter. Entitled December 31, 1980: Brazil: Feast Day lemanjá, it refers to the goddess of salt water in the Brazilian macumba cult, whose votaries...

Author: /time Magazine | Title: Art: Going Back to Africa | 3/31/1980 | See Source »

...everyone knows: that money is losing value. But it also means that we are in the grip of a wave similar to what, in 17th century Holland, was known as the Tulip Mania. The tulip was then a comparatively new import from the Near East, and mutant specimens, with irregular stripes, were prized as rarities-so prized that men would mortgage their villas and their fields. The tulips had little intrinsic value. Their worth as commodities was a function of pure, irrational desire, and their economic fate proved that nothing is more manipulable than desire. When the mania fell away...

Author: /time Magazine | Title: Time Essay: Confusing Art with Bullion | 12/31/1979 | See Source »

...moving parts as threats to his safety, sanity and solvency. Acres and Pains was a 1947 collection of mock-Thoreauvian japes inspired by the author's four dec ades of semirustication on 100 stony acres in Bucks County, Pa. His definition of a gentleman's farm: "An irregular patch of nettles bounded by short-term notes, containing a fool and his wife who didn't know enough to stay in the city...

Author: /time Magazine | Title: Books: S.J. Perelman | 10/29/1979 | See Source »

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