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...York City, or, as Matthews says, to “increase the visual acuity of the city.”Already Matthews has a staff of 20 to 30 people—most based in New York and most at least three to four years older than she is??scouting artists, musicians, and designers. But although Matthews says she has faced some difficulties so far in assembling a staff and putting together a structure for the magazine, she says that her age has not been the cause of those frustrations. The aspiring media mogul says she knows...

Author: By Jillian J. Goodman, CONTRIBUTING WRITER | Title: Junior Debuts NYC Mag | 11/16/2006 | See Source »

...really taken aback, that [Clinton] lost it.”The camera cut to Stewart, who said, “Really? Who the fuck are you?!”“When you can pull it off, that’s when pop culture is??inspirational and healthy and wonderful,” Rees says of Stewart’s outburst and its ilk.Despite this strident, demanding stance, Rees does not seem preachy in conversation. He frequently brings up a struggle to avoid self-righteousness, and he is self-deprecating with regard to his own successes.Rees estimates...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: Revolutionary Stripper | 11/16/2006 | See Source »

Ironically, what will probably be the most open-minded, innovative artistic work this year has emerged from a group of students who are committed to the most traditional and conservative art form there is??early music...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: Early Music Blends Styles | 11/14/2006 | See Source »

...Same Way of Saying” and “All My Friends,” this reissue squeezes out session-outtake turds like the 15-second-long “Sentinel” and a song called “Soul Food,” which is??I’m not kidding—an improvised jam about buying some soul food.The live tracks aren’t much better. The band ruins an early performance of “Fight This Generation” by playing two slide whistles throughout the cut. Malkmus wastes...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: CD OF THE WEEK: Pavement | 11/8/2006 | See Source »

...history. The role of a twenty-something copyist, played by the lovely Diane Kruger (“Troy”), is a device created by the film’s writers to see into the last days of an increasingly reclusive Beethoven. In a typical Hollywood move, the copyist is??miracle of miracles!—also an aspiring composer. The vague plot of the movie follows the developing relationship between Anna and Beethoven, based—presumably—on their infatuation with music. If the audience doesn’t benefit from anything else after seeing...

Author: By Andrew Nunnelly, CONTRIBUTING WRITER | Title: Movie Review: Copying Beethoven | 11/8/2006 | See Source »

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