Word: isa
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...intense learning experience these actorshave had with the VDP highlights what they say isa gap in Harvard's curriculum. With no theaterdepartment or concentration, Harvardundergraduates mainly rely on each other forguidance. The VDP is one of the few opportunitiesfor Harvard undergraduates to work with moreexperienced theatrical veterans or professionals...
...barring a debatable ending, Dream of Life actually does stick. Perhaps it's because the characters, Isa (Eloise Bouchez) and Marie (Natacha Regnier), don't ask anything of us, aren't playing to us. They're not even always likable: Isa's rough-and-readiness can quickly acquire a shrill, desperate edge, and Marie is generally painful to watch. The two live in an apartment Marie (somewhat unofficially) looks after; the owners all perished except for a comatose girl, whose diary captivates Isa. Both in their early 20s, both living hand to mouth, perpetually between jobs, they strike...
Having drifted into each other's orbit, the two soon experience outside pulls. Isa acquires a morbid interest in the comatose girl, whose tragedy allows awed and then self-righteous absorption. Marie clings far too long to a rich, womanising slickster (Gregoire Colin as Chris) who sees a needfulness he can prise open into a raw gaping masochistic dependence. Reading faces, you might judge Isa the worse off, with chipped-tooth and scar-bifurcated eyebrow, but you realize nervewracking and nervous Marie has borne a more interior brand of wear and tear...
...forget Charly (Patrich Mercado) and Fredo (Jo Prestia), two bouncer/bikers with whom Marie and Isa at first spar and then hang out. Sensitive and self-conscious Charly especially is not your stereotypical biker whose modified muffler leaves city canyons quaking. The somewhat roly-poly fellow somberly and touchingly informs Marie that he knows many people are turned off by his weight. Even when the two bikers are pressing rolled-up francs into their friends' hands, for all the implicit paternalistic reek there's not a note of honest care absent...
...vagabonding Isa (Elodie Bouchez) meets Marie (Natacha Regnier) on an assembly line in Lille. It's hard work. But friendship is a tougher job, as this haunting first feature proves. Isa is defiantly sunny, her pal severe, volcanic. Isa tries awful things (like a job handing out flyers on rollerskates) because, hey, they could be "tres cool"; Marie endures awful things (like an affair with a bourgie creep) to confirm her dour view of the world. The stars shared the Best Actress prize at Cannes last year, and both are brilliant. But Bouchez's expressive face lets you speed-read...