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Roberta Peters of the Mctropolitan Opera plays Elsa Valdine and sings the duet from Madame Butterfly with the voice of Jan Peerce, superimposed on Byron Palmer. Her rendition of Sempre Liber from Verdi's La Traviata is as sensitive as it is perfect. Violinist Isaac Stern is Eugene Ysaye, who gave Hurok his first big break...

Author: By E. H. Harvey, | Title: Tonight We Sing | 4/21/1953 | See Source »

...Pittsburgh Symphony led the parade. Under the baton of William Steinberg, and with Violinist Isaac Stern as soloist, the up & coming Pittsburgh gave a high-spirited performance featuring Gustav Mahler's First Symphony and Modernist Bela Bartok's Violin Concerto. Listeners and critics were especially impressed by the orchestra's brilliance and enthusiasm...

Author: /time Magazine | Title: Music: Symphony Traffic | 3/23/1953 | See Source »

When Mrs. Eugene Kupferstein went to Williamsburgh General Hospital in Brooklyn for her first delivery, her physician confidently promised her two babies. Sure enough, Dr. Isaac Diamond soon delivered a 4 Ib. 8 oz. boy who was named Aaron. But the second baby showed no sign of being ready to be born, as it should have if the two had been ordinary twins. So Dr. Diamond induced labor, and late that night Mrs. Kupferstein gave birth to a second boy (4 Ibs. 13 oz.) named Herman. Said Dr. Diamond: the boys, though born to the same mother on the same...

Author: /time Magazine | Title: Medicine: Two--but Twins? | 3/16/1953 | See Source »

Tonight We Sing (20th Century-Fox) is an opulent, star-spangled, two-hour film concert featuring the famed clients, past & present, of famed Impresario S. (for Sol) Hurok. The picture offers such flesh & blood talents as Tamara Toumanova, Isaac Stern, Roberta Peters, and the sound-track voice of Jan Peerce. It also fondly recalls such historic Hurok clients as Anna Pavlova. Eugéne Ysaÿe and Feodor Chaliapin...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 2, 1953 | 3/2/1953 | See Source »

Tonight We Sing is at its slickly Technicolored best when it makes music. As Russian Ballerina Anna Pavlova, Toumanova dances the famed Dying Swan. As noted Belgian Violinist Eugéne Ysaÿe, Isaac Stern plays a Wieniawski Concerto and Sarasate's Ziegeunerweisen. As Basso Feodor Chaliapin, Ezio Pinza, in a blond wig, swaggers off with the show by giving a lustily humorous performance and singing snatches from Mussorgsky's Boris Godunov, Gounod's Faust, and a chorus of The Volga Boatman. These latter-day artists offer an earnest approximation of the originals. David Wayne, using...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 2, 1953 | 3/2/1953 | See Source »

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