Word: isadora
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Dates: during 1930-1939
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...orchestra pit while dancers from the American Ballet mimed their roles on the stage. Even among purists such a prospect aroused little concern. A similar device had worked successfully with Rimsky-Korsakov's Cog d'Or, seemed ill-suited to the 18th Cen-tury Gluck, whom Isadora Duncan consistently referred to as the greatest of dance composers...
...modern movement began as a revolt against the conventional prettiness of the oldtime classical ballet. Isadora Duncan fought for freedom, seemed revolutionary when she appeared in soft Grecian costumes rather than stiffly-starched tarlatan, interpreted music according to her own personal reaction. The great Isadora had an influence on the Russian Choreographer Michel Fokine who did most to emancipate the ballet from its rigid routine, its stiff, old-fashioned patterns. But the classical technique persists, still holds claim to first importance wherever ballet is given...
Printer's ink in his soul "Manny" Wolfe drifted west where be enrolled in the University of California (Berkelrey)...english scholar and backstage workers for college plays . . . who left Chaucer after graduation in '27 for such things as traveling with Isadora Duncan dancers... beginning as "reader" at Warner Brothers . . . making symphonies of books and magazine stories . . . he went up the tinselled ladder until he achieved his present position . . . that of assigning work to Paramount writers, Reading scripts, and looking for writing talent... and writning nothing himself, expect notes for the writers...
...supremacy teetered between France and Italy until Russia raised it to its peak. Peter the Great imported Western dances. Catherine did more, and so did her mad son Paul. Thereafter a national ballet school flourished in Russia. The Classicist, Petipa, trained all his dancers until they had superlative technique. Isadora Duncan had an influence because of her free approach to music, her dominating personality. Michael Fokine appeared on the Russian scene with his own liberated ideas, introducing the ballets with which Sergei Diaghilev paved his way throughout the Western world...
Tamiris (née Helen Becker) was born in Manhattan 30 years ago of a Jewish family. She learned to dance first in the din of Brooklyn's streets, under the elevated tracks. Later she studied with the Metropolitan Opera Ballet and briefly in the Isadora Duncan and Fokine schools. In 1929 she was the only dancer at Austria's Salzburg Festival, startled sedate Europeans by her renditions of jazz and Negro spirituals. In spite of her formal training, Tamiris considers herself largely self-schooled, likes to think of her dancing as part of an indigenous...