Word: isaksson
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...revelation: of seeing a Bergman movie, usually The Seventh Seal, and saying, "This is what I want to study, devote my life to." Here, we saw, was no mere director, collaborating on scripts with other writers, but a full-service auteur. Except for The Virgin Spring, written by Ulla Isaksson, and The Magic Flute, a faithful rendition of the Mozart opera, all of Bergman's most famous film stories sprang from his own fertile, febrile brain - from childhood memories and adult adulteries, from his copious trunk of obsessions and grudges...
...VIRGIN SPRING INGMAR BERGMAN He dismissed it as "a lousy imitation of Kurosawa." Yet The Virgin Spring won Bergman his first of three Foreign Film Oscars and landed him on the cover of TIME. In this adaptation of a medieval ballad, expanded and Freudianized by scripter Ulla Isaksson, a sweet, pampered girl (Birgitta Pettersson) is murdered by herdsmen, who are in turn killed by her father (Max Von Sydow). A miracle play and a horror movie--it was remade in 1972 as The Last House on the Left--the movie retains its stark grandeur in the chiaroscuro cinematography of Sven...
...Directed by Gunnel Lindblom Written by Ulla Isaksson and Gunnel Lindblom...
...example: Dr. Jenny Isaksson (Liv Ullmann), the psychiatrist whose mental disintegration and attempted suicide are analyzed in the film, dreams (after the attempt) that she is in a small room surrounded by a crowd of anguished patients. There are so many of them that she can give only the most perfunctory attention to each. Ullmann approaches one woman and peels off her facial skin, which is a mask hiding a face covered with festering sores. Ullmann turns away. She opens a closet door to discover her near-senile grandfather. "I'm afraid of dying," he whispers. She tells...
Like much of Bergman's canon, Face to Face is about an emotional quest and a spiritual trial. It concerns Dr. Jenny Isaksson, a Swedish psychiatrist who is enduring the same sort of crisis she is trained to cure. Her husband is off in the U.S. at a convention. Her daughter is away at summer camp. Jenny, for company, moves in with her grandparents, who have decorated her room with all the furnishings of her childhood. Instead of reassuring her, the trappings of girlhood seem to hurry Jenny back to a period of intense vulnerability. She is haunted...