Word: ishiguro
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...Nymphs) as a unique, independent spirit who makes modern movies with exquisitely anachronistic techniques: fake degraded stock, blue and yellow tints, declamatory acting styles and lighting so soft-focus, Garbo could have bathed in it. The Saddest Music in the World, based on a script by Kazuo Ishiguro (author of The Remains of the Day), is Maddin's first superproduction. It boasts a $2.5 million budget and a few actors you may have heard of: Rossellini, Euro-Kewpie Maria de Medeiros and Mark McKinney from The Kids in the Hall...
...illness; in Norwich, England. In 1970, with Angus Wilson, Bradbury founded England's first creative-writing program at the University of East Anglia--to the consternation of British academics, who insisted writing could not be taught. Graduates of the program included future Booker Prize winners Ian McEwan and Kazuo Ishiguro...
...catastrophe. What would people think of me if I abandoned them all at this stage?" By this point in the novel, normal narrative logic no longer applies; after telling Sarah why he can't go with her, Banks agrees to do so. And that consent proves meaningless too. Ishiguro is a master at evoking unsettling moods, but When We Were Orphans comes to seem more tantalizing than fulfilling, a whodunit with no real...
Imagine a narrator-hero who tells his story without noticing how little of it he truly understands. Or rather, don't imagine such a creature, because Kazuo Ishiguro has already done so brilliantly in the figure of Stevens, the self-deluding butler-protagonist of The Remains of the Day (1989). And it seems at first as if the author is up to the same sort of trick in his new novel, When We Were Orphans (Knopf; 336 pages; $25). Christopher Banks, who has become a prominent London detective during the 1930s, displays all of Stevens' careful, fussy punctiliousness in recounting...
Then, in 1937, Banks travels to Shanghai to investigate at last the matter of his parents, and at this point the tone of Ishiguro's novel changes abruptly. Gone is the precise realism of The Remains of the Day, replaced by the phantasmagoric fugue state that governed his subsequent novel, The Unconsoled (1995). Assuming that Banks' view of the world around him is correct, if constrained, the reader must now start wondering whether he has, without warning, completely lost his mind...