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Word: ishing (lookup in dictionary) (lookup stats)
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...characters are only older than Updike himself (30); most of them are either adolescents or young married people. A good many of the stories are autobiographical, yet they are not simply New Yorker-ish reminisces. There is a certain digested quality about them which compresses and transforms the commonplace events Updike relates, and gives them a wider and often surprising significance...

Author: By J. MICHAEL Crichton, | Title: Updike Writes About Unhappy People | 4/27/1962 | See Source »

...perhaps easier than those of Mr. Pinchwife (Michael Rowan), and Mr. Sparkish (Howard Kramer), and Sir Jasper (Chuck Breyer). Rowan creates a convincing picture of a blustery old fool; Kramer is the biggest, dumbest fop you or I have ever seen; and Breyer is hilarious as the Ed Wynn-ish cuckold...

Author: By Mchael S. Lottman, | Title: The Country Wife | 12/8/1961 | See Source »

...Widow Leosadia Begbick, a saloon-keeping trollop, has to bundle up in ratty Lotte Lenya togs and belt out a couple of those sour songs that were Mrs. Weill's stock-in-trade. (The words for most of these songs are by Mr. Bentley, the music--as Wall-ish as a composer of Sing Musel can make it--by Mr. Joseph Raposo...

Author: NO WRITER ATTRIBUTED | Title: A Man's A Man | 8/10/1961 | See Source »

...G.B.S. has included almost every one of his favorite types; there's the self-made S. B. Clemens-ish Tycoon, the capable Mother, the daring Young Thing, an impossible Suitor for her, a pious Burglar, a graying Aristocrat, and, of course, the "independent" Foreign Lady who can comment caustically on anything the home-bred figures miss. And, then, they all talk--Lord, how they talk: two straight hours of chatter as each character rises hungrily in turn, like a guppy at the food in a goldfish bowl, to strike his pose and horrify at least a good 1/9th...

Author: By Anthony Hiss, | Title: Misalliance | 7/27/1961 | See Source »

...head. Seated at the piano, he looks elegantly relaxed-but is usually as tense as a nightclub comic building for a saving laugh. Jackson's playing has the facile quality of an André Previn, but with it a far more propulsive drive. An Art Tatum-ish right hand embroiders the melody, and the tempo is always subject to change. Sometimes Jackson opens with eloquent slowness, then double-times the theme with marvelous results. Or he may start with a rocking jazz attack and shift to concert-style piano...

Author: /time Magazine | Title: Music: Calvin in the Woods | 7/14/1961 | See Source »

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