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...Doomsaying beatnik Ian Malcolm (Mason Ross) punctuated pauses by jiggling his head and muttering inaudibly. Lex (April Camlin), the hyper-annoying computer nerd, carried her character’s emotional outbursts to the limits of human expression. Robert Muldoon (Connor Kizer) played every scene with a Sean Connery-ish accent and an insane excitement at the prospect of death. And of course Samuel L. Jackson’s character—referred to in the play only as Samuel L. Jackson (Stephen Strohmeier)—got to scream a line about being “sick of these... dinosaurs...

Author: By Joseph P. Shivers, CRIMSON STAFF WRITER | Title: 'Jurassic' Parody a Low-Budget Laugh | 11/21/2008 | See Source »

Throughout, Rose sounds as strong as ever and maybe even more flexible. On the "November Rain"-ish ballad "Street of Dreams," he emotes with a previously unheard Elton John - like pop softness, and "There Was a Time" has him scampering flawlessly up the vocal ladder from low growls to meticulous high notes. Most of the tracks clock in at about five minutes, with solid melodies and abundant pace and instrument changes. Choirs show up sometimes, as do a mellotron and a Spanish guitar. It's almost enough to keep things interesting. Almost...

Author: /time Magazine | Title: Guns N' Roses' Chinese Democracy, at Last | 11/20/2008 | See Source »

...extraordinary story of how Israeli detectives built a case against Golan and his alleged cohorts is the subject of Unholy Business: A True Tale of Faith, Greed and Forgery in the Holy Land by Nina Burleigh, a former TIME staffer who now writes for People. In fast, noir-ish prose - imagine Sam Spade in the Holy Land - Burleigh tracks her story through the twilight world of Arab grave robbers and smugglers to the glimmering salon of a billionaire collector in Mayfair whose mission, writes Burleigh, is "proving the Bible true." Past accounts of the James ossuary are fiercely partisan, written...

Author: /time Magazine | Title: Fraudulent Relics and the Brother of Jesus | 10/16/2008 | See Source »

...Mercator globes, and as soon as I saw [them] I knew I just had to put them in my book. And they became so important that the title of my second novel actually became “The Celestial Globe.” I tend to be magpie-ish. I see something pretty, and whether it be [an object] or an idea, I think, “I want to keep it! How can I put that in [my novel]?” THC: Any advice for aspiring writers?MR: If the right story doesn’t come...

Author: By Naomi C. Funabashi, CONTRIBUTING WRITER | Title: Children's Author Discusses Imagination in Stories and Life | 10/9/2008 | See Source »

...hasn't exhibited any of these pictures, but I saw transparencies of some of them in London - figurative work in a dark Bacon-ish key. He's still finding out what kind of painter he is. He's even begun to think of his mass-produced paintings as a means he used to avoid becoming a painter of another kind. "The spot paintings, the spin paintings," he says, "they're all a mechanical way to avoid the actual guy in a room, myself, with a blank canvas...

Author: /time Magazine | Title: Damien Hirst: Bad Boy Makes Good | 9/4/2008 | See Source »

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