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...That approach appears to be working. For Cloud Gate, which has performed at arts festivals in Shanghai and Guangzhou in recent years, the return invitation to the Chinese capital carries political weight - seen as the mainland's nod toward the island's contemporary-arts scene (even if not to the nascent Taiwanese democracy in which the arts have thrived). Mainland Chinese are "beginning to realize what has happened in Taiwan's artistic environment over the last 40 years," says Hsu Po-yun, director-general of the International New Aspect Culture and Education Foundation, a Taiwan arts-promotion body. "They take...

Author: /time Magazine | Title: Thicker Than Water | 8/2/2007 | See Source »

...high-level government-to-government contacts are forbidden. And no one expects progress on the issue of the National Palace Museum collections in Taiwan. The Chinese government still views the museum's holdings as stolen loot, spirited away by Chiang Kai-shek's army when it retreated to the island in 1949; curators in Taipei don't dare let the artifacts travel to the mainland for fear that they might not return. (Sportingly, China has loaned objects in the other direction - earlier this year, the National Palace Museum received 12 sets of rare 12th century porcelain from Henan, and gave...

Author: /time Magazine | Title: Thicker Than Water | 8/2/2007 | See Source »

...Later, he'd speak to me by phone from his oddball little island [Faro, where Bergman lived his last 40 years]. He confided about his irrational dreams: for instance, that he would show up on the set and not know where to put the camera and be completely panic-stricken. He'd have to wake up and tell himself that he is an experienced, respected director and he certainly does know where to put the camera. But that anxiety was with him long after he had created 15, 20 masterpieces...

Author: /time Magazine | Title: Woody Allen on Ingmar Bergman | 8/1/2007 | See Source »

...evaded but were forced to confront, to their peril. This agonized Swede was a surgeon who operated on himself. He cut into his own fears, analyzed his failings, perhaps sought forgiveness through art. He may never have found that expiation; he lived his last years alone on remote Faro island, speaking only rarely with his old friends and colleagues. But when he died today at 89, Bergman left behind him a worldwide colony of devotees, and a collection of spare, severe dramas unique in their intensity and impact...

Author: /time Magazine | Title: Why Ingmar Bergman Mattered | 7/30/2007 | See Source »

...made The Serpent's Egg (with David Carradine), Autumn Sonata (with that other famous Bergman, Ingrid) and From the Life of the Marionettes. But Sweden, love it or hate it, was the home he loved to be estranged from, and he returned there, to Faro and the isolated island of his mind. In TV interviews, Bergman could be a charming, engaging fellow. But his films were truer reflections of "the solemn Swede," as he was called then...

Author: /time Magazine | Title: Why Ingmar Bergman Mattered | 7/30/2007 | See Source »

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