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...ways, this new position is going to be a continuation of the role that Ross found for himself on the Harvard campus,” he said. “He made the back page of the Harvard Salient a must-read for three years.” Douthat isn??t just a fill-in for Kristol’s specific conservative voice, Ambinder said. “It’s safe [for the Times] to choose a Bill Kristol because he won’t persuade people to see his point of view...

Author: By Huma N. Shah, CONTRIBUTING WRITER | Title: Crimson Alum Replaces Kristol | 3/13/2009 | See Source »

...dining hall isn??t entirely bad. Dining hall manager Dave A. Seley would do anything to make Adams residents happy and ensure they enjoy their dining experiences (or ensure the return of a stolen CEB Turf trophy...

Author: By Lauren D. Kiel | Title: The Housing Crisis: Adams House | 3/13/2009 | See Source »

...public reluctance to accept video game music as a worthy pursuit.“There’s a degree of compromise there, and I think anyone who tells you there is no compromise is lying,” Lin says. “But working within constraints isn??t necessarily a bad thing for an artist. It allows you to grow in ways that otherwise you wouldn’t.”These restrictions may, in fact, lay the foundation for a new artistic space, says Edward C. Barrett, Senior Lecturer in the Program in Writing...

Author: By Susie Y. Kim, CONTRIBUTING WRITER | Title: Gamers Challenge Art to be Multiplayer | 3/12/2009 | See Source »

...characters’ three-dimensionality. Tucker’s secret sexual naïveté, for instance, complicates his otherwise insufferably flat character. But nothing can save either protagonist from the actors’ forced deliveries. Ultimately, Hugh Hefner is the only realistic character in the film, and that isn??t saying much since the man plays himself. Like a gawky teenager lumbering at a school dance, “Miss March” is a film awkwardly unsure of itself. The characters don’t come of age or learn any substantive moral lesson...

Author: By Lillian Yu, CONTRIBUTING WRITER | Title: Miss March | 3/12/2009 | See Source »

...Sensitivity isn??t being wimpy,” Jeff Buckley once declared. “It’s about being so painfully aware that a flea landing on a dog is like a sonic boom.” While Kathy Nilsson refrains from such gestures of grandiose pomposity, her poems are imbued with a similar ear for the power of the mundane. “The Abattoir” is a chapbook with 23 poems that frequently use the everyday to direct the reader on to more abstract concerns of love, loss, and a decaying spirituality. Written...

Author: By Keshava D. Guha, CONTRIBUTING WRITER | Title: Nilsson's 'Abattoir' Proves Dull | 3/12/2009 | See Source »

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