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...hip’s in a different direction than it should be, it doesn’t necessarily matter,” Szpak says. “It’s hard to get used to, but competitive dance forces you to realize, ‘If my triple isn??t perfect, the team will suffer.’ You’re not dancing for yourself anymore—it’s like a team sport, but one that makes a beautiful and expressive product...
...Veckatimest” and Antony and the Johnsons’ “Crying Light.” But despite Muhly’s classically-oriented input, “Go” is by far the poppiest, most accessible record Jónsi has ever released. It isn??t a bad change—“Go” retains most of the delicate beauty of Sigur Rós but drastically shifts the music’s emotional timbre. While Sigur Rós’ albums always seemed meant to be listened...
...Congratulations” isn??t supposed to be easy or accessible. Many may listen to it once, find nothing of interest, and discard it. But that will be their loss. Whether it’s the Kinks-like tongue-in-cheek third-person storytelling of “Song for Dan Treacy,” the Berlin-era, Bowie-esque piano instrumental “Lady Dada’s Nightmare,” or the seeming dozens of stylistic shifts through 12-minute album centerpiece “Siberian Breaks,” the album is full...
...influence of blues isn??t immediately evident in the sound of Park’s music, but his background helps explain his affinity for it. His father was a blues guitarist, and Park grew up in a small mountain town where “there was a lot of time and space to think and play music,” he says. This abundance of relaxation and reflection shows through in the unaffected, folksy sound of his songs...
...questions: “Is the nation-state a viable, stable entity in a world that’s globalizing in a way that has made the nation-state less viable?” and “Why is there only a Nobel prize in economics? Why isn??t there one in sociology, for example...