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...Go” rose to #14 on the Billboard Hot 100 Charts. Apparently, people will let 3EB go. Other alums took a more hostile approach: as Matthew L. Kramer ’98 puts it, “Why do you care...?” Perhaps 3EB isn??t worth caring about, but any band capable of feuding with badass Matchbox Twenty is clearly deserving of some importance. “I guess Akon and Jay-Z were booked,” reasons Brian S. Panoff ’98. “But I suspect they don?...
...instead of being impatient and rude, why can’t Harvard health providers handle sexually active college kids as professionally and carefully as they might treat the saintly first-time mom? She too is responsible for her pain and discomfort, but she isn??t blamed for it. She, like the college kid, is probably bewildered and terrified...
...battle of the bands” event in the Cage for pre-frosh weekend. The announcement that the Cage will be closing means that he and his fellow groupies will have to find a new space to rock out. “For the rest of the year there isn??t really another good concert space,” said Doubet. Luckily, the plans call for completed renovations by Labor Day, and the Cage should reopen next term, according to Associate Director of Residential Operations Zachary M. Gingo. But if the only alternative is to listen to Third...
...just the distance,” said Elissa Leechawengwongs ’09, a member of the Harvard International Business Club. Another student, David P. Ramos ’08, added that “while asking students for input on a logo design is well-intended, it definitely isn??t enough as far as involving the students.” “The logo really isn??t such a big factor,” Ramos said. Yet Friedrich said he hoped the logo design competition would help define the purpose and identity...
...events that Baron, a physics and astronomy and astrophysics joint concentrator, had ever attended. “Some people tend to shy away from the IOP because they think they don’t know everything about politics,” Arbuthnott said. “But this workshop isn??t as political as everything else.” Though Winston maintained that she “is of the school that speechwriters shouldn’t be seen or heard—they shouldn’t really be out there taking credit for this or that...