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...difficult position of trying to assimilate new players and recover from injuries while playing one of the toughest schedules in the country. Litvak’s present condition reflects the team’s struggles. “I keep getting injured and coming back, and my body isn??t in the greatest shape,” Litvak said. “In my match, I got tired, and I let her back into the match in the second set.” “But I closed it out,” she added...
...minutes remaining, Housman shook his defender with a fake step right and drove weak-side, finishing with an acrobatic layup in traffic while drawing a foul. The three-point play gave the Crimson a 77-75 edge at the 1:40 mark and the squad never trailed again. Housman isn??t new to second-half surges. On Feb. 9 at Princeton, Housman scored 16 points in the second half and ten of the team’s 12 points in overtime in a back-and-forth 74-68 double-overtime loss. And in last week?...
...parents have banned me from using the oven, I have no choice but to rely on her if I want something to eat other than Dunkaroos. As I enter the second half of my junior year, I’m starting to realize that having her around school isn??t so bad either. College is an exciting time in our lives where we learn about ourselves and start figuring out our identities. I think most students who also have siblings at Harvard will agree with me when I say that it means a lot to be able...
...front, I agree with them: Oxford is not for everyone. If you want a graduate experience that is just like undergrad, stay at Harvard. However, if you can deal with odd library hours and an institution that is admittedly less financially well-provisioned than Harvard (but what school isn??t, really?), then I would encourage you not to be dissuaded by “Oxford Blues.” Oxford will be different, but as long as you are prepared for that reality and can accept the experience for what it is, you can have a wonderful time...
...release, “From the Plantation to the Penitentiary.” Sanon grieves the decline of the love song and the rise of “modern day minstrels” with “songless tunes,” who emphasize sex over romance. It isn??t the first time Marsalis has used music to foster social discussion. “Blood on the Fields,” his 1997 Pulitzer Prize-winning oratorio, explored the history of slavery and his 1999 chamber work “A Fiddler’s Tale?...