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...plans were enough to prostrate the most gallant music manager. Isaac Stern, Leonard Rose and Eugene Istomin-three top-dollar virtuosos-had teamed up to make chamber music together. Their audience might shrink to the size of the small halls in which trios usually play-and the take, of course, would be split three ways. But the trio had played an intriguing handful of concerts in the past, and bound by 20 years' friendship, they defiantly formed their alliance. Last week, solidly established as the best in 50 years, the Stern-Rose-Istomin Trio played their fifth sell...

Author: /time Magazine | Title: Chamber Music: The Revelers | 5/15/1964 | See Source »

Most of the musicians are paid union scale, and soloists usually work for less than their concert fee. Last spring Pianist Eugene Istomin volunteered a free month of his time for a four-nation tour that was among the year's most successful. This year Ellington is donating his time for the price of his telephone bill; hip to the Duke's grand manner, the State Department has wisely limited him to $100 worth of calls...

Author: /time Magazine | Title: Tours: Return of the Gentle Persuaders | 9/6/1963 | See Source »

Saturday, August 18: 10 a.m. Shed - BSO Open Rehearsal 8 p.m. Shed - Boston Symphony Orchestra - Conductor: Eugene Ormandy - Prokofiev: Classical Symphony - Prokofiev: Symphony No. 6 - Tchaikovsky: Piano Concerto No. 1 (Istomin...

Author: NO WRITER ATTRIBUTED | Title: Cambridge and Environs | 8/13/1962 | See Source »

Change of Pace. Casals mesmerizing performance and an eerily effective rendition of Beethoven's Trio in D Major (the "Ghost" Trio) by Violinist Stern, Pianist Eugene Istomin and Cellist Leonard Rose were the high points of Israel's month-long festival. But there were other triumphs. Staged at seven sites from Haifa to the Revivim kibbutz, the festival drew 56,000 people to 23 concerts. In Tel Aviv, 500 music lovers who could not squeeze into the already-packed 3,000-seat Mann Auditorium were chased by police from a parapet outside the second floor. In Jerusalem...

Author: /time Magazine | Title: Music: Duet for Cello & Surf | 9/29/1961 | See Source »

...Janis is a member in good standing of the talented generation of pianists who have emerged in the U.S. since World War II: Van Cliburn, Gary Graffman, Eugene Istomin, Leon Fleisher, John Browning, Glenn Gould (a Canadian, but a product of the U.S. concert circuit). All of them are fine technicians-in Janis' case, he thinks, because he had Russian training. "To Russians, the important thing is first knowing the instrument and then having the emotion; Germans, on the other hand, feel that first you play the music and then the instrument...

Author: /time Magazine | Title: Music: Barometers & Pianos | 4/14/1961 | See Source »

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