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...nation. The neoclassic building cost Mellon $15 million, is as palatial as any structure to be found in the Western Hemisphere. Its central dome was modeled on the Pantheon in Rome. The rotunda and windowless exhibition wings are constructed of over 40 kinds and shades of marble, from "Istrian Nuage" (Italy) to "Vermont Radio Black," and enclose five acres of exhibition space. There are fat-cushioned couches for the foot-weary, and fountain courts ringed with fishtail palms to soothe the eye-weary. Behind the scenes is an air-conditioning system that gulps 5,000 gallons of water a minute...

Author: /time Magazine | Title: Art: Everyman's Palace | 12/27/1954 | See Source »

...fruitful cooperation between Italy and Yugoslavia." With each in control of a zone, Italy now had the "parity" it has long demanded as a prerequisite to further negotiations. It might, for example, offer the Yugoslavs port facilities in exchange for the return of predominantly Italian towns on the Istrian coast...

Author: /time Magazine | Title: TRIESTE: Storm over the Adriatic | 10/19/1953 | See Source »

...Istrian sand is no longer used; instead a fine white sand is imported from France to give a purer, more easily worked glass. But as before, even-burning Yugoslavian beechwood goes into the furnaces to keep the glass at an average 800° C. A master can complete a small animal figure in less than ten seconds, yet it still takes a full day for the large pieces. And sometimes even the most expert craftsman watches his hours of labor shiver into fragments as the glass cools...

Author: /time Magazine | Title: Art: Revival in Venice | 8/11/1952 | See Source »

Like dodecacophonists the world over, Istrian-born Composer Dallapiccola has had a rough road to follow. He has gained an international reputation, says one Florentine critic, "[simply] because he is connected musically to international trends." At home, he has won critical respect because, as another critic puts it, "There is no aridity in Dallapiccola . . . Very few musicians feel with so much intensity and sorrow . . . the tremendous tragedy of our times." But, like the twelve-tone work of U.S. composers, his lyrical but contorted music has still to win the affection of the public. Says Dallapiccola himself: "The public...

Author: /time Magazine | Title: Music: Il Bruttino | 5/29/1950 | See Source »

Last week an old man and an old issue turned up again in Italy. The man was ex-Premier Vittorio Emanuele Orlando, 84. The issue was the control of Fiume and the Istrian peninsula. The two had appeared together before in history...

Author: /time Magazine | Title: Foreign News: Look Where It Comes Again | 9/25/1944 | See Source »

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