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...same way, Szpak compares CDT to a track team: “Everybody is dancing on their own, but it only succeeds if they all move together—so in that way, it??s more cohesive than a sport. If someone in front of you moves, you have to move even if they’re wrong. It really is like we’re on a playing field together, working as a team,” she says...
...expression, competing helps dancers build the skills necessary for collaborative creative communication. “When you dance by yourself, if your hip’s in a different direction than it should be, it doesn’t necessarily matter,” Szpak says. “It??s hard to get used to, but competitive dance forces you to realize, ‘If my triple isn’t perfect, the team will suffer.’ You’re not dancing for yourself anymore—it??s like...
Tocqueville once wrote, in reference to the danger of America’s non-authoritarian, self-governing society, “Once an idea has taken hold of the American people’s minds, whether it??s a just one or an unreasonable one, nothing is more difficult than to uproot it.” One could say Harvard Professor Leo Damrosch faces this challenge in writing “Toqueville’s Discovery of America.” In his new book, Damrosch is attempting to remedy the general American conception of Tocqueville through...
Short, who is best known for his roles in “Stomp the Yard” and “Armored,” is both a husband and a father, and says that those personal roles that have helped prepare him for this one. “It??s not a departure at all, it??s actually a great help,” he said. “I don’t know if I’d necessarily be able to tap [into the role] in the right way if I wasn?...
...they don’t see what those composers were pulling from. So with “Heights,” I tried to bring in the music I love and use those types of music to tell stories. I’m always compelled by good storytelling, whether it??s Sondheim’s “A Weekend in the Country” from “A Little Night Music” or it??s “Meet the Parents” from “Blueprint...