Word: italian
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...showing profits like they're going out of style," says Morton Erstling, senior vice president of Eastern. Other fleet operators freely trumpet similar claims, but since most lines are foreign (Italian, Norwegian, Greek, even Soviet), privately owned and keep tightly guarded books, hard profit figures are impossible to nail down. Some lines, in fact, enjoy subsidies and tax breaks from their governments. Shipowners can cut costs by reducing crews and paring down provisions when the passenger load is light. But on some runs, 93% of the berths must be occupied for the shipowner to break even, and a half...
DIED. Max Ascoli, 79, educator, author and editor of the Reporter, a distinguished but now defunct fortnightly journal of ideas; in Manhattan. An Italian antiFascist, Ascoli was jailed briefly under Benito Mussolini's regime and immigrated to the U.S. in 1931. The Reporter, which he founded in 1949, ran vigorous stories criticizing the China lobby, McCarthyism and governmental misuse of wiretapping. As staunchly anti-Communist as he was antiFascist, Ascoli supported the growing U.S. involvement in Viet Nam during the '60s, thereby alienating many liberal readers and leading to the demise of his magazine...
...weird but persistent paradox: some brilliant movies are sheer torture to sit through. Such is the case with Padre Padrone, the Italian television film that last spring became the first movie ever to win both the grand prize and the international critics' prize at the Cannes Festival. Padre Padrone has undeniable merits; it tells a fascinating true-life story in an innovative style. Yet somehow it never makes us care passionately about its people or its subject. Though there is reason to believe that this film will influence other films, many moviegoers may forget Padre Padrone as soon...
...this does not make 1900 a complete failure, by any means. Few directors would take on such a grandiose 'ask, and few could come so close to achieving success. From the film's early scenes of life in the Italian countryside at the turn of the century, 1900 draws in the audience, keeps it involved, and only lets it go in the last moments. The ending--which drifts off from the allegorical to the surreal--is completely unsatisfactory, but then, 1900 is too rich to take in all at once. A last-ditch effort to make the film into...
...with a few shots of Tony Manero at work or at home, it would fail miserably. Luckily, the film goes much deeper than that. The central dynamic in the film is the increasing tension between Tony and his Bay Ridge world. Tony is growing up, moving apart from this Italian ghetto. And that growth is immeasurably accelerated by Stephanie Mangano (Karen Lynn Gorney), another Bay Ridge dancer whom Tony meets at the 2001 and with whom he inevitably falls in love. Stephanie looks down on Tony and his neighborhood because she works in a Manhattan record agency, where everything...