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After the intermission, he fiddled even more brilliantly, melting the audience with his interpretations of Chausson, Tchaikovsky, Saint-Saëns and Ysaÿe. He took eight more curtain calls, played three encores. The critics next day were equally enthusiastic. Glowed La Nazione Italiana: "A tremendous violinist. His tone is of exceptional power . . . His left hand has the agility of a rope dancer...

Author: /time Magazine | Title: Music: Italian Conquest | 7/9/1951 | See Source »

...show Italians that "we are good citizens and a serious company," Jersey Standard Oil's Italian affiliate decided to run an art contest with $3,000 in prizes. Last week Esso Standard Italiana picked the winners, handed out the prizes for the best paintings on "Art and the Petroleum Industry...

Author: /time Magazine | Title: OIL: Patron of the Arts | 6/11/1951 | See Source »

Puccini: The Girl of the Golden West (Carla Gavazzi, soprano; Ugo Savarese, baritone; Vasco Campagnano, tenor, and others; chorus and orchestra of Radio Italiana, Arturo Basile conducting; Cetra-Soria, 6 sides LP). Puccini's "western" may have been rip-roaring stuff at its premiere at the Met in 1910, with Caruso singing and Toscanini conducting, but it sounds pretty flat now. Performance and recording: good...

Author: /time Magazine | Title: Music: New Records, may 28, 1951 | 5/28/1951 | See Source »

Verdi: Nabucco (Paolo Silveri, baritone; Cabriella Gatti, soprano; Caterina Mancini, soprano; Mario Binci, tenor, and others; orchestra and chorus of Radio Italiana, Fernando Previtali conducting; Cetra-Soria, 6 sides LP). Verdi's third opera, but the first to win him international fame. Composed when he was 29, Nabucco (short for Nebuchadnezzar) has much of the rousing spirit and power of Aïda and Otello. Performance and recording: excellent...

Author: /time Magazine | Title: Music: New Records, may 28, 1951 | 5/28/1951 | See Source »

Rossini: The Barber of Seville (Luigi Infantine, tenor; Carlo Badioli, bass; Giulietta Simionato, mezzo-soprano; Giuseppe Taddei, baritone; Antonio Cas-sinelli, bass; orchestra and chorus of Radio Italiana, Fernando Previtali conducting; Cetra-Soria, 6 sides LP). Barber fans, used to hearing Rosina's arias trilled airily by a coy soprano, will be surprised to hear the role sung here by a more mature-sounding mezzo - as Rossini wrote it. Mezzo Simionato brings it off beautifully; so does Baritone Taddei as Figaro. Conductor Previtali keeps it sparkling throughout. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Apr. 30, 1951 | 4/30/1951 | See Source »

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