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Word: italiano (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...shade, haze, even gaslight. And he thus became the first sculptor to travel into the transient world of the French impressionist painters-a little-acknowledged fact that is well substantiated in a show of 28 of his works, sponsored by the Italian Ministry of Foreign Affairs and the Institute Italiano di Cultura in New York, which opened last week at Manhattan's Museum of Modern...

Author: /time Magazine | Title: Art: Rosso Re-Evaluated | 10/11/1963 | See Source »

...Rome, a fleet of 200 sound trucks blared the strident propaganda of the neo-Fascist Movimento Sociale Italiano (M.S.I.), and in the air relays of planes zoomed over rooftops, trailing the names of M.S.I, candidates. The heirs of Mussolini reportedly spent more than $3,000,000 during the four-week campaign, but when the votes were counted it was clear that the Missini (the nickname derived from the party initials) had misspent their lire. The Fascist share of the total vote rose slightly from 9.7% in 1960 to 10%; a mere 19,000 new M.S.I, voters (new total...

Author: /time Magazine | Title: Italy: A Moderate Tendency | 6/22/1962 | See Source »

Among actors of Italian and Spanish background, for example, Dino Crecetti opted to be Dean Martin, Margarita Cansino became Rita Hayworth, Anna Maria Italiano is now Anne Bancroft. Anglicizing their names, Anthony Benedetto became Tony Bennett and Giovanni de Simone became Johnny Desmond. Among Jews, Izzy Itskowitz probably needed to sandpaper that a bit; yet he stayed with a Jewish name: Eddie Cantor. But most-from Jerry Levitch (Jerry Lewis) to Nathan Birnbaum (George Burns), Emanuel Goldenberg (Edward G. Robinson), Pauline Levy (Paulette Goddard), Rosetta Jacobs (Piper Laurie), and Melvin Hesselberg (Melvyn Douglas)-have preferred the Anglo-Saxon angle...

Author: /time Magazine | Title: Egos: Melting the Pot | 3/23/1962 | See Source »

Given a table, tuning fork, piles of music and the Sestetto Italiano Luca Marenzio one has a delightful evening of Italian madrigals from the late sixteenth century. Add Sanders Theatre and last night's smallish but enthusiastic audience, and Adriano Banchieri's madrigal comedy La Barca di Venezia per Podova becomes the absurd and absorbing musical work it has been for three and a half centuries...

Author: By Joel E. Cohen, | Title: Sestetto Italiano | 2/13/1962 | See Source »

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