Word: italians
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Dates: during 1980-1989
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Hall's choice of Vanessa Redgrave for the central role, which requires mingling Southern U.S. and Italian accents, is unlikely but inspired. She plays a woman whose immigrant father was, unknown to her, murdered by her husband with the connivance of the town's whole power structure. The aggrieved woman dreams up a poetic revenge: to re-create within her dying husband's general store a semblance of the festive grape arbor where her family sold wine until they made the mistake of selling to blacks...
...people follow the lead of the Rev. Jesse Jackson, "black" may become equally obsolete. Jackson declared last week that citizens of his race should henceforth be known as African Americans. "There are Armenian Americans and Jewish Americans and Arab Americans and Italian Americans," he explained. "Every ethnic group in this country has reference to some land base, some historical cultural base. African Americans have hit that level of cultural maturity...
...reassembled for the first time this century, and they are a delight to see. The show is meant as a 75th birthday tribute to the redoubtable Sir John Pope-Hennessy, formerly chairman of the department of European painting at the Met and one of the great scholars of the Italian Renaissance. No doubt the Pope, as Hennessy is known, will be happy: when he was 23, he wrote his own book on the Sienese painter Giovanni di Paolo...
...child to her breast. It seemed likely that these would be the last of the estimated 7,000 survivors who have been pulled from the wreckage. "With every day the moans are decreasing," said Foreign Ministry spokesman Gennadi Gerasimov. By Friday the French, British, West German and Italian teams had given up the search and returned home and the official American relief team was packing away its equipment. At the beginning of this week, the Soviet army, concerned about infection from the rotting corpses, planned to send in demolition teams to start razing the few pitiful pieces of masonry still...
Consider the casting of Aida. Mitchell is a fine American singer still some years away from attaining the heft and bravura that her role requires. Italian mezzo Fiorenza Cossotto, as the vengeful princess Amneris, is past her prime at 53 (she made her Met debut in the same part 20 years ago). And the omnipresent Domingo serves up his familiar blend of pathos and bathos without seeming to care where one stops and the other starts. It is a fatal -- but typical -- blend of age and inexperience that even Levine's elegant conducting cannot ameliorate...